Neoclassical Style Dining Table by Jacques Bodart

Fantastic Mid-Century Modern Italian double pedestal dining table crafted from split reed rattan. The organic modern design features are demilune or "C" shaped pedestal forms topped ...

Fantastic white long courier lacquered farmhouse dining table or conference table by Christian Audigier after the design by Christian Liaigre for Ho...

Grand McGuire organic modern round dining table crafted from oak with a reeded rattan finish. The large table features an oak pedesta...

Stylish Mid-Century Modern dining table designed by Harvey Probber featuring two 16 inch extending leaves for a total of 98 inches. The iconic table has sabre formed legs with a dram...

Handcrafted for us in Cuban mahogany in William IV style, this double pedestal dining table can seat up to 14. Excellent proportions and a superb antique finish define this table. Fr...

A Sixty Inch Round Regency Style Dining Table with Two 24 inch Leaves. Part of our extensive collection of over forty dining tables and chair sets. The double tripod base having bronze claw feet supporting a flame mahogany satin wood banded and pencil inlaid table top. Having two 24 inch leaves and table pads...

The Nieves table combines natural materials from two elements wood and stone to create an elevated table that stimulates the senses. Starting with solid wood that is sourced as close to home as possible, our designer Kirk Van Ludwig of Autonomous Furniture...

Wanna be a bond villain in real life? Well here's your chance. Certain pieces just command respect and deserve appreciation for their flawless design. "WTF?" is typically the first thing uttered when people see this on our showroom floor. A literal jaw-droppper, regardless of whether installing as a dining table, desk or conference table. Lovingly restored by our in-house cabinet shop, this cocobolo wood table by Don S. Shoemaker is a rare find. Geometry and brutalism intertwine to form an architectural masterpiece of function and form. Staved slats of offset cocobolo form a brilliant patchwork that covers every visible inch of both the top and bottom sections. The grain and color tones vary in each slat to create a stunning visual contrast throughout. The pedestal and top separate easily without any screws or bolts. The table top has a grid-work of rails underneath that sink into corresponding notches on the base. The base is brilliantly assembled with a hollow interior to keep the weight to a minimum. This massive construction is surprisingly totable, without compromising rigidity or stability. Although we're uncertain on the production quantity, the total number is probably quite minuscule. Tagged with its original label and numbered #6 in several locations. About the designer: Furniture designer Don Shoemaker was born in Nebraska to an affluent family. During the 1930s, he studied at the Art Institute of Chicago. In the late 1940s, he married and subsequently, on his honeymoon, fell in love with Mexico. He loved the country so much that later in the 1940s, he moved to Mexico with his wife. Shoemaker lived and painted in a town called Santa Maria de Guido, overseeing the City of Morelia in Michoacán. Don and his wife Barbara lived in harmony with nature, growing many rare plants in their greenhouse. Don became inspired by the tropical woods of Mexico and began to manufacture furniture from these precious timbers. What began as a small factory in the late 1950s became known as Señal S.A and grew to where Don employed more than a hundred skilled artisans. Soon he became an important figure in the economic and cultural life of his adopted town. Señal S.A brought new wealth and an economic boost to the town, and Dom was known for his warm and charitable heart. The furniture designed for Señal S.A by Don were modern interpretations of traditional Mexican furnishings. Many of his iconic designs were inspired by traditional Mexican woodwork. The pieces made from Cocobolo, a Mexican rosewood, and other precious woods were highly sought after. The furniture was exported to showrooms in Chicago, Los Angeles, Houston, and large Mexican cities. His designs were liked very much by wealthy Mexican families...