A Regency extending dining table by Morgan & Sanders, suppliers to Lord Nelson

A Fine Quality and Large Four Pillar Brown Oak Extending Dining Table, c.1900, This fine extending dining table has four pillars and, with the replacement extending leaves added, can...

This outstanding and important writing table has a rectangular top above two cedar-lined frieze drawers. It is raised on rectangular section flared end supports with parcel gilt and ebonised scroll spandrels and feet joined by a flat brass inlaid stretcher. The decoration comprises superb quality amboyna, ebony and calamander veneers. The top has a central amboyna field within a Boulle work border of inlaid ormolu foliate sprays, while the sides have further amboyna panels within ormolu stringing and calamander crossbanding. With a copy of the invoice stating it was from the Wellington Collection and probably sold by the 8th Duke. English, circa 1815. Height: 29¼ in (74.5cm) Width: 50¼ in (127.5cm) Depth: 26in (66 cm) Provenance: Lord Gerald Wellesley, 7th Duke of Wellington, possibly 11 Titchfield St, London Temple Williams Ltd 1963 (See the Country Life advertisement below) Philip Duncan Ltd, sold in 1969 A distinguished American private collection Published: M. Jourdain and R. Fastnedge Regency Furniture 1795-1830, London, 1965 p.77 fig. 179 Country Life “Summer Calendar” 1963, p.51 Lord Gerald Wellesley, 7th Duke of Wellington (1885-1972) was an Anglo-Irish diplomat (1908-1919) who served as a Lieutenant-Colonel in the Grenadier Guards during World War II and then became an architect. His collection at 11 Titchfield Terrace was one of the first major regency furniture collections in Britain. In 1947, he gave Apsley House and its important contents (the Wellington Collection) to the nation with the proviso that he and his family were able to occupy a large portion of it. He married Dorothy Violet Ashton in 1914, daughter of Robert Ashton of Croughton. See Wick Antiques...

A centre table attributed to Holland and Sons related to a table in Clarence House, this exceptional table has a circular top decorated with six radiating amboyna veneers with a border of concentric marquetry rings. The decoration comprising kingwood bands within boxwood stringing, a continuous boxwood laurel wreath with ivory berries on a satinwood ground and further amboyna borders. The frieze has amboyna crossbanding and applied ormolu sunburst medallions. The support is composed of purpleheart columns inlaid with kingwood, terminating in low splayed feet, which encircle a classical urn on a plinth. The superb ormolu mounts include acanthus leaves, classical masks and patera. English, circa 1860. A table with a similar base and particularly fine ormolu mounts was exhibited by Holland and Sons in the International Exhibition in 1862 and illustrated as plate 40 in J. B. Waring’s book (see pages 100-103 for further references to this exhibition). A further closely related piece was in the collection of the late Queen Elizabeth the Queen Mother and is shown in the Morning Room in Clarence House in the Daily Mail’s article ‘Inside the private world of Prince Charles’, November 2018. Originally founded by Stephen Taprell and William Holland...

A late Regency free standing Gonzalo Alves writing table or library table, the rectangular top set above two frieze drawers on one side and dummy drawers to the reverse, raised upon ...

A fine Regency mahogany dining table attributed to Gillows of Lancaster: good model with shallow frieze, rectangular tablets at the top of the legs, elegant slim turned and reeded le...

A good quality early 19th century Regency period golden mahogany reeded edged dining table having drop flap gate-leg actions to centre and ends, fitted with four removable leaves, su...

Early 19th century mahogany double dated drop side dining table, English. George III period. Grandly proportioned - a wonderful design to maximize seating and minimize cumbersome leg...

Fine early 19th century patented "Imperial" dining table by Gillows of Lancaster. This table is very similar to the one made in 1813 for Broughton Hall. See page 243 in volume 2 of "...