Tomaso Buzzi Rare Rustic Table with Certified, 1928
- Of the Period
- Place of Origin
- Date of Manufacture1928
- Materials and Techniques
- Condition DetailsWear appropriate to the years of the table but in excellent condition, the table is still solid and has slight scratches.
- WearWear consistent with age and use.
- DimensionsH 31.11 in. x W 66.15 in. x D 33.08 in.H 79 cm x W 168 cm x D 84 cm
- Seller LocationMilano, IT
- Reference NumberLU4911216950082
Shipping, Returns & Payment
- Shipping$1,812.72Front Doorto anywhere in the world, arrives in 3 to 4 weeks.Delivered to the first available dry area outside of your house or building (front door, porch, landing area, garage, etc.).Shipping methods are determined by item size, type, fragility and specific characteristics.Shipping costs are calculated based on carrier rates, delivery distance and packing complexity.
- Return Policy
This item can be returned within 1 day of delivery.View details
- Online Payment Methods1stdibs accepts the following payment methods
- Item InvoiceGenerate an invoice that you can customize and print.
About Tomaso Buzzi (Designer)
Architect, urban planner, glass, furniture and landscape designer, and interior decorator — Tomaso Buzzi was a 20th-century renaissance man. Buzzi, along with his frequent collaborator Gio Ponti, led Italy’s Novecento Milanese movement of the 1920s and ‘30s — an approximate equivalent to France’s Art Deco movement. While Buzzi is prized for chairs, tables and other furnishings that modernized the majestic lines of 18th-century designs, he is best known for the remarkable, jewel-toned glassware he produced in a two-year stint as the artistic director of the Venini glassworks on the Venetian island of Murano.
Buzzi was born in 1900 in the town of Sondrio in the Lombardy region of northern Italy. He studied at the Milan Polytechnic, and soon after he graduated joined a lively Milanese decorative arts scene. In 1927, he and Ponti joined fellow designers Paolo Venini and Michele Marelli to form a design collaborative called Il Labirinto (the Labyrinth), Italy’s answer to the Wiener Werkstätte. In 1932, when Venini's glass company lost the design services of the sculptor Napoleone Martinuzzi, who left to start his own factory, he turned to Buzzi. The young architect’s careful study of lighting design and a love for experimentation yielded major innovations in Murano glass fixtures. The forms of his wares were inspired by sources from antiquity as diverse as Persian urns and animal-shaped Etruscan jugs. Buzzi developed a complex glass-layering method that produced deep, glowing pastel colors that ran from pink to peach, to sea-green and slate blue.
Buzzi furniture has a noteworthy elegance and nobility. Delicate chairs with arrow-shaped backs and elaborate burled wood armoires are typical of his aesthetic, and would add a sophisticated note to any room, modern or traditional. And an exemplary piece of Buzzi’s vibrant, lustrous glassware would merit a place of honor in every design collection.