Missisquoi 02 Side Table, in Gold Plating, Natural Stone and Ash by Simon Johns

The Missisquoi № 10 from the collection integrates a stone who's contour and features were traced and shaped into the tabletop, hovering above it to mirror its origins. The top is fl...

The Missisquoi №11 integrates a stone who's contour and features were traced and shaped into the tabletop, hovering above it to mirror its origins. An illusion of both airiness and i...

Missisquoi 01 is a numbered and asymmetrical two part coffee or cocktail table, with a space that divides it as the river divides the Missisquoi Valley. The black ashwood was felled, milled and dried near the studio, and the stone is from the river's banks. The stone and plank that support the two parts form a continuous axis end to end, through the divide. The beauty of the Brutalist natural stone contrasts and converses with the delicate craftsmanship of the wood plateau...

Missisquoi 01 is a numbered and asymmetrical two part coffee or cocktail table, with a space that divides it as the river divides the Missisquoi Valley. The black ashwood was felled, milled and dried near the studio, and the stone is from the river's banks. The stone and plank that support the two parts form a continuous axis end to end, through the divide. The beauty of the Brutalist natural stone contrasts and converses with the delicate craftsmanship of the wood plateau...

Missisquoi 01 is a numbered and asymmetrical two part coffee or cocktail table, with a space that divides it as the river divides the Missisquoi Valley. The black ashwood was felled, milled and dried near the studio, and the stone is from the river's banks. The stone and plank that support the two parts form a continuous axis end to end, through the divide. The beauty of the Brutalist natural stone contrasts and converses with the delicate craftsmanship of the wood plateau...

Ledge is a floating console, mounted to the wall, in solid ash with a black glass top. It stems from material exploration inspired by the cliffs around Johns’ studio, making solid as...

Brazilian contemporary side table in stone and brass Designer: Gustavo Neves AEon collection Pedra" coffee table Materials: Stone (limestone), metal (brass) darkened with manual trea...

The Poise Collection features a sculptural series of tables and seats that poetically join the warmth of ash hardwood to the weightiness of cast stone. The furniture pieces make use ...

A classic form with an inviting, functional twist. Minimalist, inline depressions invite movement of the piece and reveal its secretive weightlessness. Dimensions: Diameter 17 in. (...

A minimalistic side or end table by John Vesey (1924-1999), who pioneered into using industrial material to re-interpret classic furniture forms. The table is made of brass with glas...

The Oriel III side table features a blackened solid ash base which has been burned in the traditional Japanese shou sugi ban technique. This technique when used on ash reveals the deep richness of the open grain and creates a unique black quality which is heightened by the hand rubbed oil finish. The cantilevered top and waterfall joined leg in highly figured elm complete the structure. The unique elm plank has been stabilized with the use butterflies. This is done on the underside so as to not impose on the character of the figured elm has been cerused to further highlight the grain that flows from top to leg. The heightened contrast is created both in color and in form. The mass of the black leg frame serves as a perfect balance to the the cerused and cantilevered top. The overall effect is a highly sculptural table that is ultimately very functional. Each element is selected, shaped, joined and finished so as to create a unified design. The Oriel table is designed and made at the Black Creek Designs studio in New Canaan, CT by Thomas Throop...

This modern yet classic design pairs the age old materials of stone and wood by placing them in honest relation to each other. The hefty stone bases create a weighted foundation for ...