Pair of Georgian Style Mahogany Galleried Side Tables

The circa 1800 English Georgian tray on contemporary base are made of solid mahogany. The tray is decorated with panels of fretwork. Perfect as a tea table, side table or occasional ...

Marble side or occasional table features a round marble top and a hand-carved wooden base painted gold.  

English George III Chippendale style small mahogany chest of drawers with plate handles. The chest has three dovetail drawers on bracke...

Swan side table with round profiled table top. Solid wood with three long graceful swan legs on a molded triangular base. Side table, sofa table, end ...

1950s Italian gilt and cream paint decorated wood side table. Minor patina and paint loss. Small side table - D 12.75", W 12.75", H 17.38".

Pair of modern two-tier glass end tables, these tables feature stainless steel and frosted glass. Works well in modern or traditional decor. Ca...

A quality and classy gueridon table made of fine Mahogany wood. The side or end table oval shaped top features beautiful natural wood grain and is equipped with a pull extension tray...

Beautiful faux bamboo mahogany gueridon Bouillotte style with leather top with brass pierced gallery. Very good condition. Measures 18.25" in diameter and stands 28" tall. W605...

George III style mahogany table with fret-carved gallery , raised on reeded and turned pedestal and tripod legs. stamped HG Plomer. ...

A very fine French 19th-early 20th century Louis XV style mahogany, tulipwood, parquetry and ormolu mounted oval gueridon side table with a Brêche Violette marble top, attributed to François Linke (1855-1946). The inset oval Brêche Violette marble top with a gilt-bronze surround, above a lozenge parquetry frieze with foliate ormolu mounts, with a drawer to one side, on cabriole legs headed by clasps and joined by an 'X'-shaped stretcher centered by a finial, on scroll sabots. Unsigned. Circa: Paris, 1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau, Linke's participation in the Paris 1900 exhibition...

A French Louis XVI style walnut and brass gueridon table from the late 19th century, with pierced gallery and fluted legs. Born in France at the end of Emperor Napoleon III's reign, ...

A very fine French 19th-early 20th century Louis XV style mahogany, tulipwood, parquetry and ormolu mounted oval gueridon side table with a Brêche Violette marble top, attributed to François Linke (1855-1946). The inset oval Brêche Violette marble top with a gilt-bronze surround, above a lozenge parquetry frieze with foliate ormolu mounts, with a drawer to one side, on cabriole legs headed by clasps and joined by an 'X'-shaped stretcher centered by a foliate finial, on scroll sabots. Unsigned. Circa: Paris, 1900. Another almost identical table by François Linke (1855-1946) was sold at Christie's London 19th Century Furniture, Sculpture, Works of Art and Ceramics, Sale 7569 on 18 March 2008, Lot 66. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau, Linke's participation in the Paris 1900 exhibition...