19th Century Ormolu-Mounted, Patinated Bronze and Onyx Geuridon by G. Servant

A monumental ormolu-mounted painted wood and Sèvres Porcelain guéridon. with porcelain portrait plaques of women of the court in the surround. Origin: Paris, France Date: 19th centu...

A fine 19th century Louis XVI gilt bronze mounted onyx centrepiece Origin: French Date: 19th century Dimension: 17 1/2 in. x 22 1/2 in. x 13 in.

A fine quality empire ormolu-mounted patinated bronze and rouge royale marble mantel clock. The patinated bronze figures depicting cupid and psyche. Attributed to Pierre-Victor Ledure...

An Important 19th Century French Ormolu-Mounted Mahogany, Tulipwood and Amboyna Commode by François Linke The villefranche de conflet marble top above a frieze set with three drawer...

A fabulous orientalist bronze bust "Femme de Mequinez" by Henri-Honoré Plé. An important orientalist polychrome patinated bronze bust sculpture with gilt highlights surmounted on ro...

Denys-pierre Puech French, 1854-1942 La Sirene Signed ‘D.PUECH’; inscribed F. BARBEDIENNE, Fondeur Patinated Bronze circa 19th century Foundry Cast: Ferdinand Barbedienne 37 1/2 in. x 27 in. x 16 in Notes: Puech conceived the idea for ‘La Sirene’ during his stay at the Villa Medici when he fell passionately in love with the celebrated opera singer Emma Calvé, who was then performing in Rome. Peuch wrote, "it is to her that I owe the inspiration for the group." The sculpture shows a winged chimeric siren with a tail of a fish abducting a Ephebus. Puech noted the rarity of the scene of a woman abducting a man, rather than the more common depiction of a man carrying away a female victim. Peuch says, “I had the presentiment that, with the Siren's rape of the Ephebus, I could express the force of passion, which reached towards the unknown, which, itself, might be fidelity or the fall..." In Greek mythology the sirens seduced sailors with their singing only to lead them to their death in the sea. Literature: Denys Puech...

"Bolster - Bronze And Onyx - France - 19th Century " Bronze harness richly decorated with floral and geometric motifs, tripod feet decorated with caryatids decorated with arabesques....

A very fine French 19th-early 20th century Louis XV style mahogany, tulipwood, parquetry and ormolu mounted oval gueridon side table with a Brêche Violette marble top, attributed to François Linke (1855-1946). The inset oval Brêche Violette marble top with a gilt-bronze surround, above a lozenge parquetry frieze with foliate ormolu mounts, with a drawer to one side, on cabriole legs headed by clasps and joined by an 'X'-shaped stretcher centered by a finial, on scroll sabots. Unsigned. Circa: Paris, 1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau, Linke's participation in the Paris 1900 exhibition...

A very fine French 19th-early 20th century Louis XV style mahogany, tulipwood, parquetry and ormolu mounted oval gueridon side table with a Brêche Violette marble top, attributed to François Linke (1855-1946). The inset oval Brêche Violette marble top with a gilt-bronze surround, above a lozenge parquetry frieze with foliate ormolu mounts, with a drawer to one side, on cabriole legs headed by clasps and joined by an 'X'-shaped stretcher centered by a foliate finial, on scroll sabots. Unsigned. Circa: Paris, 1900. Another almost identical table by François Linke (1855-1946) was sold at Christie's London 19th Century Furniture, Sculpture, Works of Art and Ceramics, Sale 7569 on 18 March 2008, Lot 66. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau, Linke's participation in the Paris 1900 exhibition...

A fine French 19th century gilt-bronze (Ormolu) mounted, mahogany and tulipwood marquetry oval Gueridon (side) table with marble top, attributed to François Linke (1855-1946). The in...

A Wonderful Late 19th Century Louis XV Style Gilt Bronze Mounted Guéridon By François Linke François Linke – Variant to Index no. 146 The beautiful alabaster fiorito top above the ...

An Excellent Quality Late 19th Century Louis XVI Style Gilt Bronze Mounted Gueridon By Henry Dasson Henry Dasson The rectangular top with pierced three-quarter gallery, above a single frieze drawer, the sides each mounted with Minerva’s helmet, supported on floral vine bronze mounted tapering legs each headed by flower swags. Signed Henry Dasson 1881 to the bronze mount on the left side. After the very famous 18th century model by Jean-Henry Riesener. This table is an almost identical copy of Jean-Henri Riesener’s original supplied in 1780 for Marie-Antoinette’s cabinet intérieur at Versailles. In the 19th century’s leading ébénistes often reproduced this model, including François Linke...