Gueridon table design by COMTE

Pair of black painted iron tables, with marble top (GUERIDONES), designed by Jean Michael Frank (1895-1941), made by CASA COMTE (1932-1960). Book THE CREATORS OF A STYLE, Minimalism...

Auxiliary table in decape oak wood, made by CASA COMTE (1932-1960). House sheet COMTE S.R.L. Buenos Aires, Industrial Section Task No. 1955 Argentina. Book THE CREATORS OF A STYLE,...

Octogonal table designed by Michel Dufet (1888-1985). Birch wood veneer and inlays. France, CIRCA 1930.

Mahogany Gueridon with a European marble top and gilt bronze inlays on a lozenge parquet frieze centered by a flanked gilt bronze mask and flowers emitting a cornucopia. The table is...

Gueridon Side Table / Drinks Table in Hand Forged Iron and Marble, Spain, 1930s-1940s. Manufactured at the Art Deco Period. Elegant side table with round white marble top and pedesta...

Maison Baguès style French gueridon table. Has a smoked glass top.

Jules Leleu Gueridon, Made with mahogany and plated brass, circa 1930, France. Classic Art Deco design Sunburst table top 4 Art Deco designed Legs positioned on a pedestal base with bronze details Signed Good vintage condition. Jules Leleu (June 17, 1883–1961) was a French furniture designer. Born in Boulogne-sur-Mer, France, Leleu studied decorative painting and at the age of 26 succeeded his father in the family painting business. With his brother he began work in the Decorating field. After World War I, Leleu specialized in furniture making. He opened a Paris gallery, Maison Leleu, in 1924 and exhibited at the 1925 Exposition Industrielle et Arts Decoratifs, winning a grand prize at the exposition. Leleu designed the Grand Salon of the Ambassadors at the Society of Nations in Geneva and the French Embassies of several nations as well as the ocean liners SS Ile de France...

Stunning table after Pierre Chareau originally designed for the Club-House of the Beauvallon Golf Hôtel in 1928 . The table has a wooden top, supported by a riveted steel base. Completed in 1928, the Club-House of the Beauvallon Golf Hôtel represented the first major commission for Pierre Chareau in collaboration with the Dutch architect Bernard Bijvoet. The white-painted cement-rendered club-house was an asymmetric structure executed in the prevailing Modernist style, and comprised of a kitchen, a bar-dining area, and an open terrace. With the exception of fully-upholstered seating that was reserved for use in the interior, the majority of furnishings expressed Chareau's creative interest in the use of steel and iron for furniture manufacture. These included a variety of occasional tables and iron-framed chairs with woven cane seats, designed for use on the open terrace. This commission was amongst the first to illustrate the intensive working relationship between Pierre Chareau and the metal-worker with whom he exclusively collaborated, Louis Dalbet. In good original condition, some shrinkage to the circular top. Literature: p.92 Pierre Chareau Designer and Architect published by Taschen Provenance: from the collection of Marion Lambert...