Rustic 18th Century Spanish Colonial Baroque Period Table

A scarce Baroque Period Spanish altarpiece retablo / reredo, by (attributed) Luis Salvador Carmona (1708-1767), depicting thorn crowned Christ crucified / Cristo crucificado hand carved, polychromed wood with forged iron nails, mounted on later plaque. This rare antique religious work / object of art, circa 1750, most likely commissioned by the Catholic Church of Spain, destined to be prominently displayed as an altarpiece / retablo or as part of a much larger reredo, directly behind the main altar at a Spanish or Continental European Catholic Church (French, Italian, Iberian, Portuguese) The Crucified Christ, displayed mounted on a later faded red fabric upholstered shaped backboard plaque with textured gilt border. The exceptional hand sculpted, carved, gessoed, polychrome painted figure depicting bloodied Jesus, with crown of thorns atop his head, only wearing a undulating shaped cloth around his loin, arms extended and feet crossed, spear head form iron nails through both. The verso covered in an old paper printed backing with metal hook hardware at top for wall hanging. Dimensions (approx): Overall: 22" High, 14.5" Wide, 3.25" Deep Figure only: 16" High, 10" Wide, 3" Deep Historical background: Artist: (attrib) Luis Salvador Carmona (1708, Nava del Rey – 1767, Madrid) was a Spanish Baroque sculptor who came from a family of artists, including uncle of Manuel Salvador Carmona. He was sent to be trained in Madrid in the workshop of Juan Alonso...

A magnificent rustic Spanish Colonial antique, circa 1725, church altar with remarkable patina and detailing. Hand-crafted in the first half of the 18th century, most likely commissioned by the Spanish Empire for use in a Colonial religious Mission, now fashioned with later antique elements and repurposed for use as a sideboard. The scarce Baroque period ecclesiastical architectural church altar presents with a raised gallery shelf back topped with a single board, over a massive, thick pine plank wooden slab top, featuring impressive rich patina, rustic charm and antique character. Mounted over the distinctive architectural trapezoid shaped molded base with rich hand carved and polychrome painted decoration, including the sophisticated original Italian / European inspired trompe-l'œil marbleizing finish, which was a variety of faux painting techniques used only by highly skilled artisans to create the distinctive and varied patterns of marble, in an effort to reproduce the colors, veining and luster of real marble or other building materials. Rising on solid supports enhanced with recessed paneling, smooth rounded corners and edge work and stepped molded trim. Beautiful, nicely aged patina over the whole, highly desirable heavily worn, naturally distressed, chippy paint craquelure finish that has been stabilized to minimize further loss, that does not detect from the aesthetics or functionality, but only adds to the overall elegant warmth and rich historical depth, that can only be acquired over three centuries. Very strong, sturdy, stable. Delivered cleaned, hand waxed, luminous polished French patina finish, ready for immediate use, and many more years of generational enjoyment. Dimensions: (approx) 37.25" High, 62" Wide, 27" Deep The large size, and substantial proportions, make this excellent for a variety of different uses, including as a distinctive buffet table or server, credenza, oversized console, farmhouse kitchen...

A scarce 18th century Spanish Colonial hand carved and painted wooden newel post torchère. This completely original 250 year old antique, modeled as a putti (angel - boy- cherub), having traditional inset glass eyes, polychromed, depicted standing, one leg slightly in front of the other, one arm bent supporting post, on circular base. circa 1780s This wonderful architectural salvaged building element would have been positioned on top of the first post at the beginning of a staircase railing...

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