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Rustic Adirondack Style Redwood Root Design 1920s Plant Stand/Pedestal

Price:$1,548.17

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Early 20th Century Hand-Carved Palm Screen
Located in Hilversum, NL
This exquisite early 20th century hand-carved screen is sculpted from a 200-year-old Sumatra palm trunk, showcasing the rich natural beauty and craftsmanship of the period. The scree...
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Early 20th Century Asian Arts and Crafts Screens and Room Dividers

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Vintage Knoll International Armchair – 1980s Design
By Knoll
Located in Hilversum, NL
Experience timeless comfort and style with this luxurious armchair by Knoll International. Featuring a sleek chrome frame, the chair is upholstered in premium beige leather for a sop...
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Elegant Bauhaus-Style Armchairs, 1960s
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Located in Hilversum, NL
These wavy, elegant armchairs are crafted with a bent beech wooden frame and rush seating. The gentle curves of the frame, echoed in the armrests, lend a sculptural quality to the se...
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Vintage 1970s Dutch Bauhaus Chairs

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Brutalist Design Pub Cafe Dinning Chair Set, Belgium 1960’s
Located in Hilversum, NL
A set of mid-century brutalist dining chairs. Belgium, c1960s.
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Vintage 1960s Belgian Brutalist Chairs

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Italian Design Tubular Chrome & Smoke Glass Dining Table, 1970
Located in Hilversum, NL
Vintage Midcentury Modern Italian Design Tubular Chrome & Smoke Glass Dining Table from the 1970s. This elegant table features a tubular steel frame with a chrome finish and a smoked...
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Vintage 1970s Italian Mid-Century Modern Dining Room Tables

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Steel, Chrome

Memphis style cocktail trolley cart, 1980s
Located in Hilversum, NL
This 1980’s styled cocktail cart , is designed in the archetype materials and geometric shapes of the 1980’s Memphis style. Hardened glass tops a black lacquered metal stand and chro...
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Vintage 1980s Mid-Century Modern Coffee and Cocktail Tables

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Chrome

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The Lotus Pedestal is a great accent piece in the interior. It is handmade by renowned Chinese artist Zhipeng Tan and can be customized in size and color. About the artist: Since graduating with an Industrial Design degree from the China Academy of Art in Hangzhou, Zhipeng Tan has focused on the ancient technique of lost-wax casting. Through this foundry process, rich in heritage and tradition, Tan explores his interest in organic forms. Often inspired by his environmental surroundings, such as water and plants, he explores anthropomorphic themes, as well. Though trained as an Industrial designer, he has become an accomplished self-taught sculptor, eagerly exploring the elastic and permeable boundaries between art and design and finding a harmonious fusion of sculpture and furniture, provocative objects of both beauty and utility. In spite of his rigorous training in computer modeling, Tan develops all of his concepts exclusively with hand drawing, preferring the direct connection to his work that sketching provides. As he likes to say, “Every line in the artwork is touched by me.” Most of his work is hand-sculpted in clay, and the final work is achieved through casting, hammering, welding and polishing. He has chosen brass as his preferred medium in part because of its connection to historical tradition, but most especially because of its warm color, rich luster and versatility. Though from his early work, one may sense the influence of Joan Miró, Henry Moore and Constantin Brancusi, and in his more recent pieces there is a nod to the Post-Pop sensibilities of Jeff Koons and Takashi Murakami, the work of Zhipeng Tan is thoroughly original, an expression of his exuberance and imagination. In all of his work, one may see an exploration of our fundamental humanity and a desire to discover worlds within worlds. From the 33 Step Chair...
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