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Vintage Milo Baughman-Style Architectural Walnut Pedestal

About

A circa-1970s tall walnut pedestal in the style of Milo Baughman. Finished on all sides in lively figured crown cut walnut veneer squares with a bright, warm tone. An understated yet stately stage upon which to display a prized piece of art or decor at eye level. Minimalist design and handsome execution make it equally adaptable to Art Deco, Mid-Century Modern or contemporary interiors.  

Details

  • Period
  • Materials and techniques
  • Condition
    Good. Some fleabites on edges, and a few very small nicks on two corners that appear much more prominent in pictures than they do in person; In otherwise great vintage condition.
  • Wear
    Wear consistent with age and use.
  • Dimensions

    H 45.25 in. x W 10 in. x D 10 in.

    H 114.94 cm x W 25.4 cm x D 25.4 cm

  • Seller location
    San Francisco, CA
  • Reference number
    LU95506999303

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About Milo Baughman (Designer)

Milo Baughman was one of the most agile and adept modern American furniture designers of the late 20th century. A prolific lecturer and writer on the benefits of good design — he taught for years at Brigham Young University — Baughman (whose often-scrambled surname is pronounced BAWF-man) focused almost exclusively on residential furnishings, having a particular talent for lounge chairs, perhaps the most sociable piece of furniture.

     Like his fellow adoptive Californians Charles and Ray Eames, Baughman’s furniture has a relaxed and breezy air. Baughman was famously opposed to ostentatious and idiosyncratic designs that were made to excite attention. While many of his chair designs are enlivened by such effects as tufted upholstery, Baughman tended to let his materials carry the aesthetic weight, most often relying on chair and table frames made of sturdy and sleek flat-bar chromed metal, and chairs, tables and cabinets finished with highly-figured wood veneers.

     Like his colleagues Karl Springer and the multifarious Pierre Cardin, Baughman’s designs are emblematic of the 1970s: sleek, sure and scintillating. As you will see from the furniture presented on these pages, Milo Baughman’s designs are ably employed as either the heart of a décor or its focal point.

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