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Mahogany Serving Tables

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Period: 1950s
Material: Mahogany
Serving Trolley Model CR20 In Mahogany By Franco Albini for Poggi, Italy 1958
Located in Hellouw, NL
Franco Albini was a significant figure in modern Italian design of the twentieth century. His creations are characterized by an aesthetic that can best be described as elegant minima...
Category

1950s Italian Mid-Century Modern Vintage Mahogany Serving Tables

Materials

Mahogany

Mid-Century Modern Paul Frankl Expanding Serving Cart
Located in Chicago, IL
Mid-Century Modern Paul Frankl Expanding Serving Cart Super cool and rate vintage mahogany Paul Frankl serving/bar cart. One side has a drawer and 2 pullout shelves. The other sid...
Category

1950s American Mid-Century Modern Vintage Mahogany Serving Tables

Materials

Mahogany

Stunning Bleeched Mahogany and Cork Server / Bar Cart attrib Robsjohn Gibbings
Located in Buffalo, NY
Stunning Bleeched Mahogany and Cork Server / Bar Cart attributed to T.H. Robsjohn- Gibbings for Widdicomb.. Wonderful original cork top. Amazing patina ,color and surface.. Bleached ...
Category

1950s American Mid-Century Modern Vintage Mahogany Serving Tables

Materials

Brass

Serving Table on Casters by Edward Wormley for Dunbar, Expertly Refinished
Located in Kansas City, MO
Rare serving / console table with drawer designed by Edward Wormley for Dunbar, 1950s. Highly figured walnut top and dark mahogany base and brass casters. We acquired this from the o...
Category

1950s American Mid-Century Modern Vintage Mahogany Serving Tables

Materials

Brass

Cesare Lacca Midcentury Italian Wood Bar Cart with Glass Serving Tray, 1950s
Located in Roma, IT
Fantastic midcentury oval bar cart in Khaya Anthotheca mahogany with brass finishes and a stunning removable tray. Cesare Lacca probably designed this marvellous piece and was designed in Italy during the 1950s. This wonderful piece comes with a removable mahogany and glass top tray, while the frame is crafted with smooth touch. It has four fantastic brass wheels, two brass handles and a pair of three-bottle holders. The design of this item makes it perfect for a midcentury style dining room or bar. The Bar Cart can be shipped disassembled, to make sure it doesn't get damaged, since the reassembly is very simple. Born in Naples in 1929, Italian architect-designer Cesare Lacca created modernist furniture and metalwork throughout the 1950s. Though details of his personal life and professional training remain lost to history, there are sufficient surviving primary sources that document his many elegant designs in brass work for which he is the best know and which fetch high prices from collectors. Like many Italian designers in the 20th century, Lacca moved to Milan after World War II to launch his career. Before he was even 21 years old, his work was selected by a group of American curators for inclusion in the landmark exhibition Italy at Work: Her Renaissance in Design Today that toured 12 US museums between 1950 and 1953, the first major exhibition of Italian design outside of Italy. The exhibition showcased the best and brightest of Italian designers who had embraced modernist principles and rejuvenated traditional Italian crafts, like Carlo Mollino, Franco Albini, and Gio Ponti In the exhibition catalogue, curator Meyric R. Roger’s spotlights Lacca's expert achievements in brass, noting “the variety and quality of his creations,” which “place him high among the architect-designers leading the current [Modernist] movement." Rogers adds, "The quality of his work...provide[s] all the decorative effectiveness needed without strain or exaggeration”. Lacca designed a great many tea carts and serving trolleys in his career, which make up a large proportion of what is available on the vintage market today, as well as magazine racks and coffee tables. Lacca’s most iconic tea cart was manufactured by Italian brand Cassina and features sculpted beech, cedar, teak, or walnut with brass details, a glass tabletop, and a removable glass tray. Lacca also designed high-backed lounge chairs, which were regularly featured in Arredoluce advertisements for Angelo Lelli’s lighting...
Category

1950s Italian Mid-Century Modern Vintage Mahogany Serving Tables

Materials

Brass

French Art Deco Trolley, Completely Restored, Made Out of Mahogany, 1950s
Located in Horomerice, CZ
Art Deco troley Period 1950-1959.
Category

1950s French Art Deco Vintage Mahogany Serving Tables

Materials

Wood, Mahogany, Lacquer

Mid-Century Modern Italian Trolley Side Table Console in walnut with Turned Legs
Located in Vigonza, Padua
Mid-Century Modern Italian console or trolley side table in mahogany with walnut turned legs. Polished to wax
Category

1950s Italian Mid-Century Modern Vintage Mahogany Serving Tables

Materials

Mahogany, Walnut

Palisandro and Mahogany Console Table Attributed to Vittorio Dassi
Located in Hanover, MA
1950s Italian console table or hunt board, in the manner of Paolo Buffa, rests on 4 fluted tapering column legs with brass sabots. Four dr...
Category

1950s Italian Mid-Century Modern Vintage Mahogany Serving Tables

Materials

Glass, Mahogany, Rosewood

1950s Portable Mahogany and Marble Serving Table, Italy
Located in Praha, CZ
- Good /Very good original condition with minor signs of use.
Category

1950s Italian Mid-Century Modern Vintage Mahogany Serving Tables

Materials

Marble

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Franco Albini Rosewood Mid-Century Modern “LB7” Modular Bookcase for Poggi, 1957
Located in Vicenza, IT
LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...
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