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Hand sculpted ceramic side table (sphere & square)
$2,800per item
£2,150.28per item
€2,464.19per item
CA$3,941.71per item
A$4,415.58per item
CHF 2,300.92per item
MX$53,861.02per item
NOK 29,239.44per item
SEK 27,570.71per item
DKK 18,392.07per item
Quantity
About the Item
Cassola+Marostica side table is handbuilt using four distinct plaster-molded forms. These forms are altered and combined to shape the final piece. Part of the 'Break the Mold' project, the collection celebrates imperfections and highlights the tactile qualities of clay, ensuring that each table is truly one of a kind. The table is hand-signed and dated on the underside.
Clients often pair the table with items like fruit bowls, candle holders, or lamps from the same collection to sit on top of the table.
Custom color glazing is available upon request.
Crafted in my grandfather's hometown in Northern Italy, this table holds a deep personal connection. Seventy years after his departure, I returned to Nove di Bassano to create my own clay forms. 'Break the Mold' aims to breathe new life into this historic town.
- Creator:Jenna Basso Pietrobon (Artist)
- Dimensions:Height: 22.84 in (58 cm)Width: 10.24 in (26 cm)Depth: 10.24 in (26 cm)
- Style:Post-Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:2024
- Production Type:New & Custom(One of a Kind)
- Estimated Production Time:10-11 weeks
- Condition:
- Seller Location:New York, NY
- Reference Number:1stDibs: LU9803243802142
Jenna Basso Pietrobon
Born in 1986, Jenna Basso Pietrobon is an artist who fearlessly explores society through her personal experiences. She received her Masters in Fine Arts at Columbia University in 2017. Her work offers a raw critique of political, economic, and social systems, using a blend of painting, sculpture, photography, architecture, design, psychology, performance, and activism. Break the Mold: Within the world of ceramics, plaster molds are used to make duplicative objects; the molds are vessels which facilitate mass-production and mass-consumption. Her artistic practice turns a critical eye toward this type of rote production, and asks how we can instead turn the molds normally used to make repetitive identical pieces into vehicles for unique, one-of-a-kind pieces. Basso Pietrobon explains further, "In the 1950s, my grandparents left Italy for Canada, where my grandfather used his knowledge of ceramics to make lamps. Following his footsteps back to Nove, Italy almost 70 years later, I have returned to my grandfather’s town to likewise produce my own clay forms. Part of the proceeds of the sales will go towards the artisans in the town to help revitalize the craft of ceramics."
Custom glaze color is an additional 5%
About the Seller
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