Italian Grand Tour Muti-Color Marble Accent Table, 1960s

A pair of 1960s Art Deco square coffee or occasional tables sourced in Italy. These elegant tables feature warm, solid wood frames with natural graining. The pedestal bases are accen...

A stunning 1960s French pedestal composed of natural travertine in a soft, beige hue. The Art Deco design features a stacked, spiral form silhouette that supports a circular top. The...

An elegant Italian coffee table from the 1960s, featuring a salmon-hued marble top with brick-red veining. Likely sourced from the renowned quarries of Carrara, Tuscany, or Verona, t...

A 1960s French side table designed by Maison Regain. This table is constructed with beautifully grained elm wood and features soft lines, rectangular block legs, and a single front d...

A fine Grand Tour design copy of the temple of Poseidon. The temple made in carved wood and specialist paint finished. The Temple is fixed to a 19th century wooden base which in turn...

1960s Italian faux bamboo brass accent table with glass top. This table can be shipped by UPS.

A rare grand tour table Possibly by Cesare Roccheggiani The circular platform of marmore nero, inset with fine micromosaic panels consisting of thousands of coloured glass tesserae; a central roundel depicting The Vatican from St Peter's Square within a malachite border, surrounded by a border including four cartouches in polychrome reserves of Roman views including the Coliseum, the Roman Forum, with the remnants of the Temple of Vespasian; the Temple of Vesta, and the Pantheon, all interspersed and linked by voluminous bouquets of fruit and flowers representing the 4 seasons; the outer stylised border inlaid with deep blue tesserae evocative of exotic Lapis Lazuli. Supported on a finely carved Italian giltwood base, its design incorporating baskets of fruit and floral garlands echoing the 4 seasons theme of the table. Italian, Circa 1875 Other table tops inspired by this design, although not as finely executed, can be found in several Russian collections (which house the greatest micromosaics) including Vorontsov Palace, Muranovo House, as well as the imperial State Hermitage Museum. A tabletop with profuse floral micromosaic work was commissioned by the Belgian Royal family (sold Sotheby's, 2003). The floral garlands, the magnificent quality of the inlay and the use of distinct curved tesserae support the present attribution to Cesare Roccheggiani. According to Jeanette Hanisee Gabriel, the world expert on micro mosaics, curved tesserae pieces were used in foliage, grass and animal fur by only the very best mosaicists such as Roccheggiani. Evidence of curved pieces, for instance, is observed in the foreground of the Temple of Vesta cartouche, to name but one observation of the master's hand. The scion of a dynasty of mosaicists, Roccheggiani was perhaps the most successful mosaicist in the last quarter of the nineteenth century. He is doubtless related to Lorenzo Roccheggiani, a late eighteenth-century master mosaicist at the Vatican, whose work included the altarpiece, Crucifixion of St. Peter after Guido Reni. Nicolo Roccheggiani, possibly Lorenzo's son, was also a principle artist at the Vatican, involved in executing the famous tabletop Achilles Shield...

A high quality and extremely decorative Italian 19th century Grand Tour period Patinated bronze and micro mosaic side table. The table is is raised by elegant tapered supports ending...