M. Oppenheim Traccia Gold Leaf Italian Simon Gavina Coffee Table with Bronze Leg
- Production TimeAvailable Now
- Of the Period
- Place of Origin
- Date of Manufacturecirca 1970
- Materials and Techniques
- Condition DetailsBrand-new. 80' original production. All elements are original; no restoration. Small damage: edge of top ; botton legs.
- WearWear consistent with age and use.
- DimensionsH 25.6 in. x W 24.81 in. x D 20.87 in.H 65 cm x W 63 cm x D 53 cm
- Seller LocationMornico al Serio ( BG), IT
- Reference NumberLU2595112862732
Delivery, Returns & Payment
- DeliveryRates vary by destination and complexityShipping methods are determined by item size, type, fragility and specific characteristics.Shipping costs are calculated based on carrier rates, delivery distance and packing complexity.
- Return Policy
This item can be returned within 2 days of delivery.View details
- Online Payment Methods1stdibs accepts the following payment methods
About Meret Oppenheim (Designer)
Though the fame of the sculptor and painter Meret Oppenheim stems mainly from a single work of art, that one was a doozy. Known as Object, the enduringly disconcerting fur-covered teacup, saucer and spoon that Oppenheim created in 1936 remains the one of the most notorious works to spawn from the Surrealist art movement.
Born in Germany and raised in Basel, Switzerland, Oppenheim was encouraged to pursue art by her maternal grandmother, a writer and illustrator. Oppenheim moved to Paris to attend art school in 1932. There, she met the sculptor (and fellow Swiss native) Alberto Giacometti, who introduced her to Man Ray, Max Ernst and André Breton, the founder of the Surrealist movement. Within a year, Oppenheim was exhibiting her paintings with the Surrealists, the first female artist to do so. Object, the story goes, was born of a lunchtime chat that Oppenheim had with Pablo Picasso and his muse Dora Maar one afternoon in 1936. The Spanish-born artist admired an unusual fur-lined bracelet that Oppenheim wore, and she replied that anything could be covered fur, “even this cup and saucer!” Her imagination fired, Oppenheim bought some china and a swatch of Chinese gazelle fur. When it was exhibited in New York, Object was purchased by the Museum of Modern Art — the first work of art by a woman acquired by the institution.
Another Oppenheim piece has become an icon of the art-as-design genre, a category that has currency among art collectors: the Traccia table, a side table with a gold- or silver-leafed wooden top, incised with the shapes of two bird-claw impressions, and a cast-bronze base in the form of stork legs. The Traccia — from the Italian for “track,” as in animal track — was created for the 1939 opening of art dealer Leo Castelli’s first gallery, on the Place Vendôme in Paris. The maker Simon International began producing versions of the Traccia in 1970, and the piece is now made by Cassina. Examples are typically priced between $6,300 and $8,500, depending on condition. As striking and amusing today as when it first appeared, the Traccia is an always-suave addition to a modern art and design collection and a tribute to the humor and ingenuity of a groundbreaking 20th-century artist.