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M. Oppenheim Traccia Gold Leaf Italian Simon Gavina Coffee Table with Bronze Leg

Price:$5,590.99

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Table ’Traccia’ by Meret Oppenheim for Simon Gavina, Italy, 1972
By Meret Oppenheim, Studio Simon
Located in Echt, NL
Original ’Traccia’ table in very good condition. Designed by Meret Oppenheim Produced by Studio Simon’s Collezione Ultramobili, Milan, 1972 The tabletop is covered in gold leaf and has bird tracks embossed in the surface. The top rests on two brass feet in the form of bird legs. The original table was exhibited by the Surrealist artist Meret Oppenheim in 1939 for the Parisian gallery René Drouin...
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Early Meret Oppenheim Traccia Side Table for Simon Gavina, Italy 1972
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Meret Oppenheim Traccia side table by Simon Gavina 1972 Designed by Meret Oppenheim in 1939 and produced by Simon Gavina in 1972 Gold leaf wood...
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Rare 1972 Meret Oppenheim “Traccia” Table, Studio Simon, Ultramobili Collection
By Simon Gavina Editions, Ultramobile Collection, Dino Gavina, Meret Oppenheim
Located in Bagnolo Mella, Brescia
This rare and iconic table features a gold leaf-covered wooden top with embossed bird tracks across the surface. It rests on two sculptural solid brass legs, shaped like bird feet. ...
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Original 1970s Production Meret Oppenheim Traccia Table, Gavina, Italy
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Located in LEWES, GB
An original and authentic Meret Oppenheim Traccia table. This table manufactured by Gavina, Italy as part of the initial production in th...
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Meret Oppenheim Traccia Side Table in Wood Gold Leaf and Bronze by Gavina 1980s
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Located in Montecatini Terme, IT
Traccia side table with structure in polished cast bronze, elliptical top in plywood finished with fine yellow gold leaf. Traccia table was origi...
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Meret Oppenheim Traccia Sculptural Table
By Cassina, Meret Oppenheim
Located in Barcelona, Barcelona
Meret Oppenheim Traccia sculptural table Manufactured by Cassina in Italy In 1971, Dino Gavino launched what he called “l’opera d’arte funzionale”, or functional artworks, in so doing inaugurating a new approach of furnishing where surreal objects were adapted for everyday use. This led to the creation of the Ultramobile Collection. These pieces, that went beyond (ultra) furniture (mobile) engaged the imagination, complementing rational intelligence with a sense of wonder, where geometry interacted with fantasy. One of these pieces was the low table that the Swiss artist Meret Oppenheim designed in 1929 for Leo Castelli’s avant-garde gallery, dubbing it the “Bird Leg...
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