Rare 2-Tier Side Table by Corrado Corradi Dell 'Acqua & Ignazio Gardella

Pedestal table of Italian walnut with 4 carved legs and circular walnut top. Based on an anonymous vintage design with a fantastic sculptural base.

"Libeccio," Studio-Made side table. Solid cone base with removable carved tray-top that cantilevers. "Libeccio" refers to one of the 8 winds that blow through Sicily. These tables wi...

Solid cone base with removable carved tray that cantilevers. "Libeccio" refers to one of the 8 winds that blow through Sicily. These tables will be made in a series of varied origina...

Wedge shaped table of dark stained wood, with brass trim and white Carrera glass insert top. Elegant form with nice detailing.

Set of two T12 "Montecarlo" sIde tables by Corrado Corradi dell' Acqua for Azucena. Aerial chrome frames supporting two thick glass tops.

Side / Sofa table made of a chrome-plated brass construction with original glass plates. Dimensions / 53.5 x 53.5cm H.66cm Design / Corrado Corradi Dell'Aqua 1959 Manufacturer / Az...

Sleek, minimalist Mid-Century Modern pair of console tables by Corrado Corradi Dellácqua for Azucena in thick crystal and sculpted chrome...

A set of two Montecarlo (T12) side tables with a simple and elegant brass structure and tabletops in crystal, they are the perfect companion for any seats, beds, or desks. The brass structure present a pleasant patina due to the age of the tables. Designed by Corrado Corradi dell'Acqua and manufactured by Azucena during the 1950s. Corrado Corradi Dell’Acqua (Milan 1905 – Varese 1982) was a law expert, an amateur writer, and silently became a designer. His dachshund’s name was Azucena, as the gipsy of a Giuseppe Verdi’s opera. After all Maria Callas was hosted after the dress rehearsal of the legendary 1955’s Traviata, at La Scala, that Luchino Visconti built around her Violetta. Azucena was also the name of the company Corradi had started in 1947 with two other young Milanese intellectuals, Luigi Caccia Dominioni and Ignazio Gardella – the last one had already been his schoolmate at the Liceo Berchet, and would have later joined him in many other projects. The premises of his adventure had materialized in two different editions of the Milan Triennial Exhibition. In 1933, Corradi had presented his black nickel and copper bookends, and in 1939 he had exhibited a silver and golden copper tea service wrapped in the coils of a snake. In those objects, the simplicity and the elegance of his future works could be foreseen but not fully recognized. Some years later he would have designed objects such as his lamps made with glass from Milan tramcars, his two-seat sofa for an intimate talk, his saddle-shaped armchairs that forced the body in a perfect posture, his little-tree-shaped photo frame that could be wore as a cameo collier, or his marble ashtray with pestle...