"Traccia" Table by Meret Oppenheim for Simon Gavina

Set of four "Rialto" bookcases by Carlo Scarpa for Gavina. "In the early 1970s, Carlo Scarpa designed this model for his home. After three years of "enjoyable" discussions, Gavina ...

Set of two T12 "Montecarlo" sIde tables by Corrado Corradi dell' Acqua for Azucena. Aerial chrome frames supporting two thick glass tops.

Iconic Lunario low table by Cini Boeri for Gavina. Polished chrome-plated brass base supports a large oval glass surface. One of the first exam...

Rare low table by Adelmo Rascaroli. Wood frame with accurate details, brass details and glass top with rounded edges.

Meret Oppenheim Traccia side table by Simon Gavina 1972 Designed by Meret Oppenheim in 1939 and produced by Simon Gavina in 1972 Gold leaf wood...

An original and authentic Meret Oppenheim Traccia table. This table manufactured by Gavina, Italy as part of the initial production in th...

Meret Oppenheim Traccia sculptural table Manufactured by Cassina in Italy. In 1971, Dino Gavino launched what he called “l’opera d’arte funzionale”, or functional artworks, in so doing inaugurating a new approach of furnishing where surreal objects were adapted for everyday use. This led to the creation of the Ultramobile collection. These pieces, that went beyond (ultra) furniture (mobile) engaged the imagination, complementing rational intelligence with a sense of wonder, where geometry interacted with fantasy. One of these pieces was the low table that the Swiss artist Meret Oppenheim designed in 1929 for Leo Castelli’s avant-garde gallery, dubbing it the “Bird Leg Table...

Meret Oppenheim Traccia sculptural table Manufactured by Cassina in Italy In 1971, Dino Gavino launched what he called “l’opera d’arte funzionale”, or functional artworks, in so doing inaugurating a new approach of furnishing where surreal objects were adapted for everyday use. This led to the creation of the Ultramobile collection. These pieces, that went beyond (ultra) furniture (mobile) engaged the imagination, complementing rational intelligence with a sense of wonder, where geometry interacted with fantasy. One of these pieces was the low table that the Swiss artist Meret Oppenheim designed in 1929 for Leo Castelli’s avant-garde gallery, dubbing it the “Bird Leg Table...