Translucent Ribbon Taffy Round End Table Glass, Tony Duquette Style, CLEARANCE

Postmodern curly maple round side table by Dialogica, New York. 1996. Rare piece. Great condition. Iconic curly legs.

Branco & Preto Brazilian Mid-Century Modern side table with glass top set in Caviuna wood frame. 21.5" H x 25.5" W x 25.5" D. Listing is for single table. Caviuna is a Brazilian timber tree yielding a heavy, hard dark-coloured wood streaked with black. Table features glass top effortlessly embedded in the wooden frame. Gorgeous sculptural rectangular recessed legs. The strong lines and masterful proportions, sculptural yet unassuming - effortlessly stylish. Made by Luiz Pássaro...

Ladislav Rado white enameled steel modern side table, 1955, Knoll and Drake. Knoll and Drake produced a signature modern line of furniture for a few sh...

Ward Bennett modern white 3078 I-beam occasional table for Brickel Associates, 1960s, USA. Provenance: Brickel Associates; Property from a Private New York City Collection. Measures: 15"H x 12"W x 12"D. Bennett sought to create a design style that was uniquely American, versus the popular European design styles of the 1960s and 70's. His style was called "sensual minimalism" for his blending of industrial design and aesthetic look. He is considered one of the first designers to use industrial design and the industrial aesthetic in home design. Hailed by the American Institute of Architects, Bennett is credited as an American pioneer in the use of industrial materials for home furnishings – a prime example being his early ’60s I Beam Table, which employs a section of beam for a base. Ward Bennett’s career began at age 13, when he quit school to work in New York’s Garment District. At 16 he went to Europe and continued working in fashion. Despite attending art schools in Florence and Paris, he was mostly self-taught, with skills ranging from jewelry-making to interior design. “I learn from people,” he said, referencing influences including Georgia O’Keeffe. Bennett eventually settled in New York, where his reputation earned him many high-profile clients. Lyndon Johnson later asked Bennett to design a chair for his presidential library—“a cross between a barroom chair and a courtroom chair...

Ebonized mahogany tri-level coffee table, attributed to Paul Laszlo, Brown Saltman Los Angeles, c. 1952. A pioneering force in the evolution of California Modern, Paul László imbued the more rigid European modernism with plusher comfort and more sumptuous flair. Laszlo began his career in Stuttgart, an epicenter of modern design prior to WWII and gained international recognition for his sumptuous, sensual brand of modernism. His early fans included Salvador Dali and George Nelson. Laszlo accepted a professorship in the US as a means of fleeing the Nazis (Two of his siblings and both his parents would die in the Holocaust). From New York, László drove cross-country to California, where he opened an office in Beverly Hills. Despite speaking hardly any English, his reputation preceded him, and he soon started receiving commissions, including remodeling and refurnishing Bullock’s on Wilshire Boulevard, the premier department store in Los Angeles. By the late 1930s László had become designer of choice to the Hollywood elite. Laszlo combined sleek geometric lines and rich woods together with novel materials and textures (ex. lucite and faux weaving), sometimes adding more traditional flourishes such as floral fabrics. His bold use of color was also a major attraction. He opened his new design studio on North Rodeo Drive in 1941, which he would maintain for over 25 years. In 1946, László furnished the residence of Rene Williams in Beverly Hills with designs that have become recognizable classics, such as the Paddle Armchairs, named for their flat, wide armrests. All the pieces from the grouping have clean, elegant lines that draw from Viennese Modern...

Baker Furniture Verre églomisé gilt ebonized antique coffee table, labelled. Baker marking dates to 1940 according to my research. Extremely rare piece.

A cast resin ribbon side table with an inset glass top from the 1980s in the style of Tony Duquette. The table is in excellent vintage condition.

Midcentury Brutalist side or end table rendered in hand bent and forged white resin ribbons with an inset glass top.

Delightful pair of Mid-Century side tables by Tony Duquette, known as the "Pulled Taffy" model, made in USA in the 1960's. Made from resin in beautiful gold leaf finish. Each table i...

Epoxy Side Table with 20" Round Glass Top. Nice useful size, easy to place in a multitude of locations! Epoxy in very nice shape with no breaks.

"Ribbon" dining table in cream resin in the style of Tony Duquette. Refinishing is recommended for table base, circa 1960s Dimensions: 54" D x 29" T 21" D (table base).

This refined and dynamic side/end table was realized in Murano, Italy the island off the coast of Venice, renowned for centuries for its superlative glass production. It features a r...