Vintage "Dolly Tub" Rival Side Table - Polished stone top - Circa 1930

“Daisy” side table Pink metal top Vintage side table - Daisy flower Measures : Ø 40cm H: Variable 48,5cm Materials : Metal - Iron Wear consistent with age and use

Marble and sandblasted glass side table - Oval Glass top - 1980s End Sofa table - side table - vintage Measures : 70cmx50cm H:53,5cm Material : Marble - sandblasted glass - Steel - ...

Vintage solid wood side table on casters Side table - Vintage - Mid Century Measures : 55x22cm H:51cm Wear consistent with age and use.

Acid-etched brass coffee table top by Christian Krekels with an agate stone Chrome base Hollywood Regency - Vintage - Design Measures : 60cmx50cm H:36cm Materials : Brass - Agat...

Stone top iron side table, perfect for outdoor space or unique interior accent table. Please enlarge photos to appreciate the beauty of the stone top. Strong, stable, ready to place and enjoy. Any cracks, discoloration, signs of wear are a reflection of age and use. Please refer to professional photos for clear understanding of color, condition and details; photo lighting, individual monitor display and home lighting may all impact how item is viewed. With over 37 years of experience selling European antiques, our brick-and-mortar storefront, Round Top Ranch Antiques...

Vintage neoclassical style circular iron side table with travertine stone top.

Our table was made of birch, solid and veneered, stained a rich brown, and topped off with a slab of Bohemian breccia marble. We date it to around 1928, and attribute the design to Fritz August Breuhaus de Groot, who coined the term Kultivierte Sachlichkeit (Cultured Objectivity) to describe his work, and distinguish it from the Neue Sachlichkeit (New Objectivity) practiced by his contemporaries Walter Gropius, Mies van der Rohe, and Lily Reich. The table bears a passing resemblance to a considerably simplified, marble-topped ovoid one that he designed for his 1934 Berlin living room. Breuhaus was a man on the make. The first of his three marriages was to the daughter of an industrialist, who financed the building of luxury villas and workers’ housing designed by his son-in-law. In 1929, Breuhaus, the son of a dentist, added “de Groot” to his name, falsely linking himself to a distinguished family of painters. By then, he’d been fudging his academic record for years. That didn’t prevent a teaching appointment at the State University of Bavaria, which allowed him to add the prestigious “Herr Professor” prefix to his name. Yet he never followed through on the teaching — he was far too busy designing more luxury villas (commissions he accepted only if he could furnish them as well), and products for his own company, which included furniture, textiles, wallpapers, lighting, and fine silver. In addition to designing aircraft interiors for Lufthansa, and pullman railroad...

Coastal painted stone top side table, with a chalky white limestone top and base crafted from wire-brushed cerused pine in our new Sea Salt finish...