Wyeth Original Round I Beam Table

A bronze studio-made cocktail table, having a square banded apron holding a glass tile that rests on four faceted legs. Available in polished, brushed, patinated and blackened bronze...

A bronze studio-made cocktail table, having a square banded apron holding a glass tile that rests on four faceted legs.

A Mid-Century Modern 'Petal' end/side table designed by Richard Shultz. With a flower-like pine top on a white enameled eight-point cast iron pedestal base. Manufactured in the USA b...

A small scale but very thick steel walled table in the form of a rounded I-Beam.

An Industrial round leather and glass end table. This table has an equestrian-inspired design. The top is glass and is supported by four legs wrapped in ...

A round mahogany Industrial end table. The circular reeded edge top above a cluster column and four iron out swept legs. Dimensions: 20" W x 20" D x 24" H.  

Custom repurposed vintage iron with bronze edged round top. Hand-forged iron legs. Sealed surfaces. Light and narrow profile. Can be made in any size. Made in Los Angeles by Dos Gall...

Ward Bennett modern white 3078 I-beam occasional table for Brickel Associates, 1960s, USA. Provenance: Brickel Associates; Property from a Private New York City Collection. Measures: 15"H x 12"W x 12"D. Bennett sought to create a design style that was uniquely American, versus the popular European design styles of the 1960s and 70's. His style was called "sensual minimalism" for his blending of industrial design and aesthetic look. He is considered one of the first designers to use industrial design and the industrial aesthetic in home design. Hailed by the American Institute of Architects, Bennett is credited as an American pioneer in the use of industrial materials for home furnishings – a prime example being his early ’60s I Beam Table, which employs a section of beam for a base. Ward Bennett’s career began at age 13, when he quit school to work in New York’s Garment District. At 16 he went to Europe and continued working in fashion. Despite attending art schools in Florence and Paris, he was mostly self-taught, with skills ranging from jewelry-making to interior design. “I learn from people,” he said, referencing influences including Georgia O’Keeffe. Bennett eventually settled in New York, where his reputation earned him many high-profile clients. Lyndon Johnson later asked Bennett to design a chair for his presidential library—“a cross between a barroom chair and a courtroom chair...