“Tea table” in bamboo and lacquered wood, attributed to Perret & Vibert, France

Bamboo and lacquered wood table attributed to Perret & Vibert, France late 19th century. Product details From the residence of Antonello Falqui – Falqui Collection. Bamboo and wood c...

Bonheur du Jour in Bamboo and Lacquer, in the style of the maison Perret & Vibert, France Late 19th Century Product details From the residence of Antonello Falqui – Falqui Collection...

Coffee table in lacquered wood, Italy 1960s. Product details Dimensions 85 L x 40 H x 85 D cm Italian Production, 1960s

Pair Of Dark-Finish Curved And Woven Bamboo Armchairs, Attributed To Gervasoni, 1970s Product Details Dimensions: 58 W x 84 H × 85 D

Table Material: wood and bronze Style: Art Deco Country: France If you want to live in the golden years, this is the tables that your project needs. We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982.If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Meret Oppenheim Meret Oppenheim -Traccia Table - The person and the works of German-Swiss artist Meret Oppenheim (1913-1985) are forever associated with surrealism and 20th century art history. Meret Oppenheim, in full Meret Elisabeth Oppenheim, (born October 6, 1913, Berlin, Germany—died November 15, 1985, Basel, Switzerland), German-born Swiss artist whose fur-covered teacup, saucer, and spoon became an emblem of the Surrealist movement. The piece, created when Oppenheim was just 23 years old, became so famous that it overshadowed the rest of her career. Oppenheim’s father was German and Jewish and her mother was Swiss. In 1914, at the outbreak of World War I, the family moved from Germany to Switzerland. Oppenheim was encouraged by her father and by her maternal grandmother, author and illustrator Lisa Wenger-Ruutz, to pursue art. Thus, in 1929 she began art studies at the Kunstgewerbeschule in Basel (through 1930). She then moved to Paris and briefly attended the Académie de la Grande Chaumière in 1932. Being in Paris offered Oppenheim the opportunity to connect with leading avant-garde artists, which, more than schooling, gave her entrée into the art world. In 1933 she met Alberto Giacometti, Man Ray, André Breton, and Jean (Hans) Arp. Oppenheim was quickly absorbed into the Surrealist circle and exhibited three paintings at the Salon des Surindépendants in Paris in 1933. Soon after meeting Man Ray, she became his muse and modeled for images such as Érotique Voilée (1933; “Erotic Veiled”), in which she appeared nude behind...

The two tables have different heights Material: wood and bronze Style: Art Deco Country: France If you want to live in the golden years, this is the tables that your project needs. We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982.If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Meret Oppenheim Meret Oppenheim -Traccia Table - The person and the works of German-Swiss artist Meret Oppenheim (1913-1985) are forever associated with surrealism and 20th century art history. Meret Oppenheim, in full Meret Elisabeth Oppenheim, (born October 6, 1913, Berlin, Germany—died November 15, 1985, Basel, Switzerland), German-born Swiss artist whose fur-covered teacup, saucer, and spoon became an emblem of the Surrealist movement. The piece, created when Oppenheim was just 23 years old, became so famous that it overshadowed the rest of her career. Oppenheim’s father was German and Jewish and her mother was Swiss. In 1914, at the outbreak of World War I, the family moved from Germany to Switzerland. Oppenheim was encouraged by her father and by her maternal grandmother, author and illustrator Lisa Wenger-Ruutz, to pursue art. Thus, in 1929 she began art studies at the Kunstgewerbeschule in Basel (through 1930). She then moved to Paris and briefly attended the Académie de la Grande Chaumière in 1932. Being in Paris offered Oppenheim the opportunity to connect with leading avant-garde artists, which, more than schooling, gave her entrée into the art world. In 1933 she met Alberto Giacometti, Man Ray, André Breton, and Jean (Hans) Arp. Oppenheim was quickly absorbed into the Surrealist circle and exhibited three paintings at the Salon des Surindépendants in Paris in 1933. Soon after meeting Man Ray, she became his muse and modeled for images such as Érotique Voilée (1933; “Erotic Veiled”), in which she appeared nude behind...

Coffe table Material: Wood Italian We have specialized in the sale of Art Deco and Art Nouveau styles since 1982.If you have any questions we are at your disposal. Pushing the butt...

Very rare mid century decorative sofa side table in solid pequi wood attributed to José Zanine Caldas produced in Brazil 1970s. In great original condition. Dimensions: H: 48 cm / ...