19th Century French Mahogany and Simulated Porphyry Gueridon Centre Table

19th century Danish carved flame mahogany center table circa 1860. Beautifully shaped top surface with striking half matching veneer top.  Slightly o...

Rare and fantastic profusely carved mahogany table circa 1870. Simple mahogany top with canted corners but this table is all about the base.  Carved dev...

19th century carved oak and marble center table circa 1880. Fine quality circular marble top center table.  White marble with grey veining...

19th century carved walnut occasional table circa 1890. Fine quality rococo revival swedish made table.  Dimensions of this table lends itself to multiple uses, such as a centre, so...

19th century oak and copper aesthetic movement center table circa 1890. Stickley style pedestal table,  round top with a frosted antique mirror effect on the underside of the glass,...

Elm Scandinavian 19th century oval center table, circa 1880. Good quality center table which could also function as a side/sofa table...

A fine quality astrological centre table firmly attributed to Maple & Co Constructed in very finely figured mahogany and satinwood, and having marquetry inlay of superior quality...

A fine early 19th century ebonized centre table in the 17th century manner, having a faux marquetry rectangular top, with central drawer and raised upon barley twist legs with conjoi...

A gorgeous French 19th century Louis XVI style centre table, topped with a beautiful piece of Breche d’Alep marble. The shaped marble-top is shaped to fit the walnut base. The table’...

Antique 19th century French boulle centre table. The serpentine shaped top features all-over tortoiseshell and profuse inlaid brass decoration, qua...

An early 19th century marble-topped centre table, the Breche Violette marble inset top above a frieze fitted with an arrangement of opposing drawers and slides above shaped sabre leg...

A good centre table by Johnstone & Jeanes of London   Constructed in amboyna, with extensive marquetry inlays in specimen woods, and enhanced with parcel-gilt highlights. Rising from a cruciform platform base adorned with knops and having concealed castors, supporting the inlaid, and gently stepped and tapering centre column with stylized 'c' form brackets bracing the octagonal top, the outer guard band having English roses inlaid at the angles, with foliates with the national emblems of Scotland and Ireland, thistles and shamrocks. Stamped by the makers to the underside, 'Johnstone & Jeanes 67 Bond Street'. circa 1845 Published in “British Furniture 1820 to 1920” by Christopher Payne, 2023, p. 131, illustrated fig. 3.21. Johnstone, Jeanes & Co John Johnstone of Bond Street came to prominence after his collaboration with Robert Jupe, an 'upholder' of 47 Welbeck Street, Cavendish Square, London, who patented a remarkable design for a circular expanding dining table with a segmented top in 1835. After Jupe's death, the firm traded as 'Johnstone and Jeanes' from 1842 until 1880, having moved to 67 Bond Street and continuing the tradition of producing high quality furniture. After 1880, the company was re-named Johnstone & Norman. They exhibited at the Great Exhibition 1851, The International Exhibition of London in 1862, and The Paris Exhibition of 1878. Both the Royal Collection Trust and the Victoria & Albert Museum own stamped pieces of furniture in their collections. The company of Crace were designers and decorators to the Royal household from 1768 until 1899, working for every monarch from George the Third...