Circular marble top 180 cm

Large marble top, 180cm in diameter, inlaid with semiprecious stones, onyx, lapis lazuli, aquamarine green, antique yellow, mother of pearl, etc. ADDITIONAL PHOTOS, INFORMATION OF TH...

Description: Sampling surface in ancient polychrome marbles with edge in Portoro marble. Three-dimensional drawing. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND SHIPPING INFORMATION...

Particular marble top with three-dimensional inlay, with rare marbles and semiprecious stones, black Portoro marble frame. 20th century. Dimensions: 151 x 78 x 3cm. Good condition - ...

Description: Cosmatesque bas-relief in white marble and porphyry with the letter "W" inlaid in the center, Good condition - used, with small signs of aging and blemishes. 20th centur...

Lavitta Dining Table designed by Timo Mikkonen & Antti Rouhunkoski for Poiat Studio Collection Lavitta Model shown on picture Dimensions : H. 72 cm x 180 cm x 90 cm Color : Dark Oak ----- The Lavitta Collection draws upon the influences of traditional rugged Finnish outdoor furniture. The novel interpretation of the countryside classics creates a fascinating contradiction where rational practicality merges with a sophisticated tactile and visual appeal. The Lavitta Dining Table is a modern classic that focuses on the sophisticated union of traditional wooden furniture with contemporary design. Designed by Poiat Studio in 2016, the Lavitta Round...

A transparent bronze glass top and mirrored Lazy Susan are supported on a base of irregularly spaced brass legs of different sizes. A chord. A beat. A rhythm. A glimmering bronze fin...

An Italian steel side table from the mid 20th century, with white veined marble top, acanthus leaves and hoofed feet. Created in Italy during ...

Circular tabletop in marbles and hard stones. Inspired by Italian models of the XVI-XVII centuries. In the centre of the board, surrounded by a garland of flowers, has been placed a pearl necklace with a bow. Around this element, four vases with birds perched on interspersed branches and, more towards the outside, a band with vegetal scrolls are presented. They frame this area with simplified scrolls and one with others more worked and interspersed with avenerated forms and heraldic shields, and posed birds. The fleur-de-lis on the edge clearly shows the influence of Gobelino's works on this board. The French workshop was created with the aim of making this type of inlay for the court of this country, and is the heir of the native centre of the "hard stone work": the Florence of Piero de Medici and Lorenzo the Magnificent, who wanted to revive a Roman technique called mosaic "opus sectile". It is also necessary to mention the Royal Workshop of Naples and the one created by Carlos III in the Real Sitio of El Buen Retiro in Madrid, which closed at the beginning of the 19th century. After 1600 the primacy of decoration that appeared in the fifteenth century is clear, and elements such as birds, butterflies and pearl necklaces were added over time. The present example inherits all this tradition: compare with the table realized by Francesco Ghinghi in the Real Laboratory Delle Piedre Dure of Naples (number of catalog O00511) and the board (O00466) of towards half-full of century XVIII, both in the Museum of the Prado from Madrid, those preserved in the Museo Opificio delle Pietre Dure in Florence (especially works such as the panel made as a model for a table by Jacopo LIgozzi...