Italian "Reale Table" Designed by Carlo Mollino Produced by Zanotta, 1990

Stylish Italian Mid-Century Modern dining table designed by Vittorio Dassi and produced by Dassi Mobili Moderni in 1950-1960. The table is extendable, adding one or two leaves and su...

Very rare and exceptional Art Deco parchment table, with top and base in parchment veneer, the table top is supported by three wooden columns ...

Introducing the Reale Dining Table by Zanotta, a stunning addition to any luxury dining space. Crafted with precision and elegance, this table features a sleek and modern design with...

Ir_reale table tribute to Reale table of Carlo Mollino, 1946 designed and produced by Alchimia in 2010. The table has a base in FLOU plexiglass and crystal top. Limited edition of nine copies in different colors. Signed and numbered. Biography In 1976 Alessandro and Adriana Guerriero established Alchimia, the first example of manufacturing designers in Milan. In 1978 and 1979 they presented the Bau haus and Bau haus II collections. Lamps, armchairs, chairs, tables, cabinets, and so on. Artists involved: Alessandro Mendini, Ettore Sottsass, Bruno and Giorgio Gregori, Michele De Lucchi, Andrea Branzi, UFO, Paola Navone, Daniela Puppa, Franco Raggi. The prevalent decorative material is laminated plastic. Alchimia’s culture, which is against the Italian design (Casabella magazine) changes the base of all previous design theories, resulting in a profound and radical change in the mindset of architects. Visual Alphabets, Redesign, Trivial Design, Cosmetics and Sentimental Robot are the slogans underlying the exuberant and vast production of Alchimia city. In the theoretical manifesto of the group, Alessandro Mendini writes “Alchimia is not interested in disciplines because they are considered to be within their rules. Indeed, it is important to look into the existing large free spaces between them. Alchimia weighs the assumption that conception and confused production methods should coexist where craftsmanship, manufacturing, information technology, techniques and current and obsolete materials can get mixed up. “They are handcrafted objects, recycled, mass, improbable, provocative, Kitsch, all very theory-laden. It operates and experiences in many sectors: the Pensione Ideale (Franco Raggi), the Copertine di Domus (Occhiomagico), the Abito Sonoro and the performance of Persone Dipinte (Anna Gili), the Stilismo della Moda (Cinzia Ruggeri...