A Regency rosewood six drawer library table by Gillows

Fine William IV Period Rosewood Library Table by George Simson and Son of St Paul’s Churchyard, London, c.1837. The finely shaped rectangular top with rounded corners, supported on ...

A large Regency mahogany serving table attributed to Gillows, the shaped top above a fluted frieze with four superb ormolu lion’s mask r...

A Regency mahogany end support library table, the rectangular top extensively inset in tooled leather above a frieze with drawers opening on all four sides, the solid rectangular sup...

The rectangular gilt tooled leather inset top above two short frieze drawers, on fluted ring-turned baluster twin columnar end supports, terminating in recessed castors, one drawer s...

English rosewood library table, attributed to Gillows of Lancaster and London. With elaborate holly wood inlay/marquetry cross banding using Thomas Wilkinson’s tracings who was a dra...

A FINE REGENCY MAHOGANY LIBRARY TABLE ATTRIBUTED TO GILLOWS, CIRCA 1820. With original blind-tooled coral-red Morocco leather top, the frieze with three mahogany-lined drawers to ei...

Early 19th Century rosewood library / writing table, the top cross banded in rosewood and having a black leather writing surface decorated with gold and blind tooling, having two fri...

A highly Important, Regency period mahogany, ebonised and parcel-gilt partners writing table on monopodia legs of exceptional quality and design, in the manner of George Smith, stamped Chas Norman, whom was associated with the work of Gillows. Labelled ‘Morning Room’. English, Regency period, circa 1810-20. Rarely seen, the crescent shaped ended rectangular top, beautifully lined with the original gilt tooled leather writing surface, enclosed by a mahogany cross-banded border and reeded edge. The frieze, containing four finely chosen fiddle-back mahogany drawers, two pairs to opposing sides, each retaining the original gadrooned carved ebonised knob handles. The perimeters having a finely ebonised cockbead, whilst the drawer liners being executed in mahogany retain the original recessed brass locks, which look to have never been removed. Flanking the drawers are bead-moulded ebonised panels which conform to either end above a reeded mould. Raised on four boldly designed and imposing, crisply carved, ebonised and parcel-gilt leopard monopodia supports, of wonderful original waxed condition. The Egyptian leopards mask above a bold breast decorated with carved gilt anthemion and guilloche motifs, finishing on a finely detailed carved leg and paw foot. The condition is excellent, retaining the original hand-dyed and gilt tooled waxed leather writing surface along with original locks, handles and ebonising with gilt-work to the legs. Commissioned for what presumes to be a private collection and due to its condition, being obvious to see, this writing table has been home to an important household. Labelled ‘Morning Library’ to the underside, whilst in this exemplary condition strongly suggests this striking piece of Regency furniture has furnished the library of the said house for the majority of its life. As can be noted, this is an extremely rare, elegant, early Regency writing table of exceptional colour, which corresponds with designs of the celebrated furniture maker and designer George Smith, workmanship of Gillows, being stamped to the underside Chas Norman four times. George Smith (1756 - 1826) was one of the most influential furniture designers of the English Regency Period (1811-1830). Smith, who began his pattern-book in 1804, wrote of ‘the great taste and elegance’ of this design. In 1808 he published his influential and definitive text on Regency interior Design titled ‘ A Collection of Designs for Household Furniture and Interior Decoration’ and classed himself as ‘Upholder Extraordinary to His Royal Excellency the Prince of Wales’…The Prince Regent. Smith was inspired in his designs from his earlier career as an Egyptologist, producing drawings incorporating motifs of Leopards heads and paws, Lions, sphinx’s, anthemia, and griffons amongst others. Charles Heathcote Tatham (1772-1842) published ‘Etchings, Representing the Best Examples of Ancient Ornamental Architecture; Drawn from the Originals in Rome, and Other Parts of Italy During the Years 1794, 1795, and 1796’, in which he illustrated an antique tripod table...