Fine Mid-18th Century English George II Mahogany Circular Tripod Table

A very fine George III period Gainsborough armchair of superb quality and large scale, attributable to Wright and Elwick. English, circa 1760. Why we like it We love the imposing scale of this iconic design from the mid-18th century, superbly handcrafted and beautifully reupholstered in a luxurious Claremont silk damask. Provenance With a pre-1903 label underneath reading GEO TROLLOPE & SONS / BELGRAVE SQUARE, / LONDON, S.W.  Attribution This armchair relates to 'French Chair' designs in the George II picturesque manner illustrated in Thomas Chippendale's The Gentleman and Cabinet-Maker's Director, London, 1754. The pattern relates closely to a suite of five library armchairs from Swinton in Yorkshire and now attributed to the Yorkshire cabinet-makers, Wright and Elwick, who were known to have worked for William Danby at Swinton in around 1775, and who were both subscribers to the first edition of the Director. The suite was sold by the Earl of Swinton and the Hon. Nicholas Cunliffe-Lister, from Swinton House, Masham, Yorkshire, in Christie's house sale, 20-21 October 1975, lot 17.  Wright and Elwick Established in 1747 by Richard Wright and Edward Elwick, this prolific partnership '[had] the honour to serve most of the Nobility & Gentry in the West and North Rideing' (G. Beard and C. Gilbert, eds., Dictionary of English Furniture-Makers 1660-1840, Leeds, 1986, pp. 1006-1008). Certainly, records indicate that they received patronage from such distinguished clients as Sir Rowland Winn at Nostell Priory, the Duke of Norfolk at Worksop Manor, Viscount Irwin at Temple Newsam House, John Spencer at Cannon Hall and most notably, the Marquess of Rockingham at Wentworth Woodhouse.  A pair of virtually identical armchairs is in the collestion of the Museum of Fine Arts, Houston. An identical armchair was sold Christie's, London, Ronald Phillips Ltd - Making Room, 2 July 2014, Lot 69. The design also corresponds to a chair in the collection at Southill, Bedfordshire (P. Macquoid and R. Edwards, The Dictionary of English Furniture, London, rev. ed., 1954, vol. I, p. 277, fig. 160). A pair of armchairs of this form was sold Christie’s New York, 19 October 2000, lot 100 ($182,000); a single chair of virtually identical form was sold Christie's London, 15 April 1999, lot 65; a further related pair was sold Sotheby's London, 5 July 1997, lot 58. George Trollope & Sons - Retailers The  firm, established in 1820 as 'paper hangers...

An outstanding pair of George II period hall armchairs in black walnut, of unusual 'Windsor' design.   England, circa 1740–50. Why we like them Items that are not merely quirky, but...

A charming petit-point needlework picture of floral design, in its original convex moulding frame. English, late 18th century.

An extremely rare, exquisite Grand Tour-inspired architectural model of a Corinthian column England, third quarter of 18th century. Why we like it Exquisitely carved and having acce...

An extremely rare, exquisite architectural model of a Doric column England, third quarter of 18th century. Why we like it Exquisitely carved and having accents picked out in gold, this extremely rare survivor from the golden era of Classical architecture in Britain was perhaps intended for an architect's office, or for a study of a gentleman architect, such as Lord Burlington (1694–1753), who was famously known as the "Apollo of the Arts" and the "Architect Earl". Such exquisite and decorative objects were copied from ancient Greek and Roman originals, that aspiring architects could see and draw during their 'Grand Tour' in Italy, Greece, Ottoman Empire and etc. The only other comparable example of such rare objects that we came across was a set of three columns, previously owned by the late Sir Albert Richardson (1880–1964), architect, historian, writer, artist, teacher and sometime President of the Royal Academy –  sold by Christie’s London, 19 September...

A fine French late 18th century bench / window seat or banquette, of great colour and desirable generous proportions. Stamped G.Jacob. France, circa 1795. Why we like it A handsome, timeless design. With its curved sabre legs at either end, this bench relates to the ancient Greek 'Klismos' seats, often seen depicted on Attic pottery...

An English George II period mahogany tripod table from the mid-18th century, with pie-crust tilt-top, turned baluster stem and carved cabriole legs. Born during the third quarter of the 18th century, this English mahogany table features a circular tilt-top with pie-crust edge, resting on a bird-cage mechanism. Tripod tables were often used as tea tables, the tilt-tops allowing them to be folded and stored away easily. Our table is raised on a lovely baluster stem, adorned with a spirally turned motif. Creating a perfect conclusion to this elegant ensemble, the table rests on three Rococo cabriole legs, accented with acanthus leaves surrounding a central medallion on the knees, and ending in ball-and-claw feet. With its graceful lines and lovely mahogany patina, this English George II tripod table...

A wonderful 18th Century Mahogany Tripod Table with a one piece top having the most outstanding colour and patina. Standing on a bold wrythen turned stem and well shaped cabriole leg...

Rare English antique 18th century Georgian tilt top birdcage pedestal tea table. Made of mahogany featuring round tilt top supported by tri leg base with unique downswept pierced ac...

Elegant late 18th century English tripod table in solid mahogany. Superb one piece solid mahogany top with a diameter of 78cm. Superb work on the table top which makes it exceptio...

18th century mahogany tripod table of large proportions, the circular mahogany top sitting on a birdcage mount so you can turn the t...

18th Century mahogany tripod table, the circular mahogany top sitting on a birdcage mount so you can turn the top without turning th...