19th Century Satinwood Oval Étagère

A very attractive mid 19th century oblong papier maché tray having elegant hand painted and gilded floral decoration housed on later square tapered leg stand (What better way t...

A very good quality 19th century regency period oak wine table, or lamp table, attributed to gillows of lancaster, having shaped tray top with gadrooned, carved, decoration over moulded reverse tapering column with stylised lotus baluster and elegant swept tripod legs with foliate carved decoration. "Attributed To Gillows." This fine quality, charming little table follows a widely recognised design pattern which features in the Gillows Estimate Sketch Books for 16 July 1822, which refer to a "double round cornered top" and then appear again several times throughout the 1820's and 1830's. The designs are often referred to as "Flower Stands", or "Flower Tables" and there are various different itinerations to be found throuout the Regency and William IV periods. Constructed from charming, warm, rich oak veneers this little table is a great example. The carving is crisp and well executed and it retains a good colour and patina. It also remains in excellent condition and has clearly been well loved and well looked after throughout its history. The dimensions are great. Big enough to be practical and functional, but small enough to go just about anywhere around the home and serve a purpose as an antique lamp table, antique bedside table, antique wine table antique...

A Very Good Quality Late Regency Period, 19th Century, Rosewood Étagère, Or Buffet Of Unusually Small Proportions, Having Three Superbly Figured Rectangular Tiers United By Turned Up...

An Exceptional Quality Late 19th Century, l, Mahogany, Satinwood & Harewood Octagonal Kettle Stand, Or Urn Stand, Having Profuse Inlaid Decoration To Attractive Top With Candle Slide...

This is a truly exceptional antique English Edwardian mahogany and satinwood marquetry oval two tier 'etagere', in the manner of Edwards & Roberts, circa 1890 in date. Crafted from the best flame mahogany, note the wonderful grain to the wood and the beautifully inlaid decoration with musical trophies within scrolling foliage and kingwood crossbanding. Masterfully inlaid with Sheraton influences, this etagere has an elegant refined look. The removable glass bottomed tray can be used to serve drinks, etc. It is raised on elegant square section tapering outswept legs with a shaped cross stretcher. The craftsmanship and finish are second to none. THE BOTANICAL NAME FOR THE MAHOGANY THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION. Condition: In excellent condition having been beautifully cleaned and waxed in our workshops, please see photos for confirmation. Dimensions in cm: Height 84 x Width 89 x Depth 55 Dimensions in inches: Height 33.1 x Width 35.0 x Depth 21.7 Edwards & Roberts was founded in 1845, and had premises at 21 Wardour Street London. By the 1892 they occupied more than a dozen buildings in Wardour Street, where they continued to trade until the end of the century. They became one of the leading London cabinet makers and retailers working in a variety of styles, both modern and revivalist. Their business also involved retailing, adapting and restoring the finest antique furniture and there are many examples of their earlier furniture with later embellishments bearing their stamp. Edwards & Roberts specialised in marquetry, inlay and ormolu. Marquetry is decorative artistry where pieces of material (such as wood, pewter, or brass silver) of different colours are inserted into surface wood veneer to form intricate patterns such as scrolls or flowers. The technique of veneered marquetry had its inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This work, called opere di commessi, has medieval parallels in Central Italian "Cosmati"-work of inlaid marble floors, altars and columns. The technique is known in English as pietra dura, for the "hardstones" used: onyx, jasper, cornelian, lapis lazuli and colored marbles. In Florence, the Chapel of the Medici at San Lorenzo is completely covered in a colored marble facing using this demanding jig-sawn technique. Techniques of wood marquetry were developed in Antwerp and other Flemish centers of luxury cabinet-making during the early 16th century. The craft was imported full-blown to France after the mid-seventeenth century, to create furniture of unprecedented luxury being made at the royal manufactory of the Gobelins, charged with providing furnishings to decorate Versailles and the other royal residences of Louis XIV. Early masters of French marquetry were the Fleming Pierre Golle and his son-in-law, André-Charles Boulle, who founded a dynasty of royal and Parisian cabinet-makers (ébénistes) and gave his name to a technique of marquetry employing brass with pewter in arabesque or intricately foliate designs. Etagère is a piece of light furniture which was extensively made in France during the latter part of the 18th century. It consists of a series of stages or shelves for the reception of ornaments or other small articles. Like the what-not it was very often cornerwise in shape, and the best Louis XVI examples in exotic woods are exceedingly graceful and elegant. In modern usage, an étagère is often used to refer specifically to a long-legged shelf unit that fits over a bathroom toilet...

19th Century Satinwood Kidney Shaped Inlaid Tray on stand. The inlay shows ribbons, bows, scrolls, garlands of flowers. Around the edge there is a brass gallery & carrying handles. T...

A rare furniture which is perfect for presenting collectibles like porcelain.

19th century paper cache painted oval tray on later stand