Calibrated to Balance, hanging sculpture by Monica Guggisberg & Philip Baldwin

'Catcher of the Skies' is a unique pink, orange and black hand-blown and cut glass artwork with steel hull by the American and Swiss artists, Philip Baldwin and Monica Guggisberg. Combining Scandinavian and Venetian glass making techniques, their sculptural boat centerpieces are made from smaller blown and cut glass components nestled (in sand) inside a metallic hull. 'We are migratory creatures; the history of our species is about journeys, departures, leaving and arriving, starting over. And none more so than ourselves. Our new work is both culturally and personally inclined. An autobiographical touch in civilizational reflection. Wherever man goes he builds, laying down cultural lines which gradually transform into relics and artefacts over time's inevitable march. Urban landscapes and complex designs grow and expand, deteriorate and decay. And on again we move, taking the memories of our exploits with us to use in the next story.' B&G Baldwin (1947, New York) and Guggisberg (1955, Bern) have been a collaborative team for over forty years. They share an instinctive appreciation for the subtle blending of art and design, functionality and abstract expression, combined with a love of material – especially glass. The list of museums and collections which have acquired their works is long and impressive. Individual showings, as well as participation in group shows, have given them opportunities to present their works at leading galleries and in major museums in Europe, Japan and the United States and their works rank among the best to be found in the international glass art scene. Working freelance, they have also designed successful products for international glass manufacturers since 1985. Their clients have included renowned firms like Rosenthal, Steuben, Corning and Venini. Over time their work has developed its own distinctive signature, based in Italian cold-working (battuto) combined with the Swedish overlay process for layering colours. They have been pioneers in adapting these techniques and in creating a distinct expression of their own. Colour, light, texture, pattern, and shape together reveal an undercurrent of meaning and value, adhering to the simplest of forms and clear lines. Over the years they have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, while embracing contemporary evolution in form and meaning. In recent years large installations and major exhibitions in public spaces, such as Canterbury Cathedral...

'Flow Petit No 22' is a unique artwork by the Danish artists, Egeværk. It is created from Wengé sourced from Africa - Congo and Cameroon - (wood, FSC* certified) with a stainless ste...

'Sun Golden 108 No 2' is a sculptural wall artwork by the Taiwanese and Japanese artists, Hsiao-Chi Tsai and Kimiya Yoshikawa. London-based artists Hsiao-Chi Tsai (1981, Taiwan) and...

'Flow Petit No 20' is a unique artwork by the Danish artists, Egeværk. It is created from Wengé sourced from Africa - Congo and Cameroon - (wood, FSC* certified) with an inlay of 24c...

Michael Cutler designed steel rod circle holding rotating three-piece mobile sculpture . Excellent condition.

Sculptural light No. 67 by Milla Vaahtera Dimensions: W 70 x D 28 x H 60 cm Materials: Glass, brass Dark glass dome is deep dark violet. In 2020 Milla Vaahtera started a series...

Sculptural light no. 73 by Milla Vaahtera Dimensions: W 65 x D 22 x H 60 cm Materials: Glass In 2020 Milla Vaahtera started a series of unique sculptural lights made out of brass and hand blown glass. "I have focused on mobile art work for the past few years and this series with light is a natural continuum of that work. These lights are all unique and made by a very intuitive process. Glass parts are made in collaboration with a team of glass blowers from Nuutajärvi Glass Village. The creative process of joining methods of art to traditional areas of craft is the most important thing to me in my work. Traditionally craft has been an area where professionals avoid failure. Lack of failure makes them good. I'm revolutionary in embracing failure in the craft process. I always find new techniques via failure. Failure is not opposite to success, it's a necessary part of it. When I find the flow of “not giving a shit” in my work, I find freedom and fun, and achieve the best work. Embracing failure shuts up the critical comments in my head and I’m liberated. I´m inspired by everything and find influences all around me. I find leaving some tool marks to the brass and "the mistakes" refreshing. With glass, the pieces where you could see the moment of melt in the final work are always my favorites. And I felt that now I work in dialogue with glass. I learned to use improvisation at the moment to maintain the wild nature of glass. Glass is like me, spontaneous and organic. " Glassblowers: Paula Pääkkönen, Sani Lappalainen, Otto Koivuranta, Jukka Viuha, Penna Tornberg and many other glassblowers from Nuutajärvi. The metal parts: Silversmith Kirsi Kokkonen together with Milla Vaahtera Electric work Ullanlinnan sähkö Vaahtera began to work on this series in May 2017 together with glassblowers Paula Pääkkönen, Sani Lappalainen, Pauli Vähäsarja, Henni Eliala and Jonas Paajanen of Nuutajärvi. The metal parts were prepared by silversmith Kirsi Kokkonen together with Milla Vaahtera. The method was based on dialogue with the glass artists, improvisation and intuition. The ethereal pieces are a revival of the mobile tradition that emerged in the 1930s.The heavy glass parts and the delicate brass seek a balance with each other, thus creating tensions within the works. Milla Vaahtera (born 1981) is a designer and an artist working in Helsinki. The themes of her works extend from body image and sexuality to intuition and dialogues in the creative progress. Vaahtera has graduated as a Master of Arts in 2010 from Aalto University, the School of Arts, Design and Architecture. She did her BA studies in Lahti Institute of Design in 2008. Her work is featured in several exhibitions at galleries and museums including the Design Museum Finland, Lokal gallery and UU Market...

A stunning and poetic mobile sculpture by Jacques Jarrige. Wide fascinating movement created by meandering wood pieces screwed together and two balancing branches. Jacques Jarrige's Pieces have recently been published in Ideat, November 2011, AD Collector October 2011, World of Interiors (September & May 2011), Architectural Digest France which include a highlight on the artist (July-August 2011) and Maison Francaise (September 2011) A list of notable solo exhibitions follows: 1989 Entrepots de Bercy, Paris 1991 Galerie En attendant les Barbares, Paris 1993 Galerie En attendant les Barbares, Paris 1998 Hotel de ville de Paris Salle Saint Jean 2002 Galerie Frederic de Luca 2006 Galerie Cat Berro...