G. Goldfine Abstract Mixed Media on Board, 1970

Willard MacGregor (American, b. 1901-1993), Abstraction, Mixed Media on Paper, 1970, signed on reverse. Image: 6" H x 4" W; frame: 9" H x 7.25" W.

Joze Horvat Jaki (Slovenian, 1930-2009) Untitled Surrealist mixed media drawing painting on board depicting an abstracted cityscape, signed lower right, housed in a wood frame with g...

Francisco Galeno (Brazilian, b. 1957), "Vale do amanhecer" [Dawn Valley], Oil on Wood Board, 1985, signed, dated, and titled to verso, ebonized and giltwood frame. Image: 62.75" H x ...

Joan Hyde Shapiro (American, XX - XXI), "At Dawn", Gouache on Canvas Board, signed lower right, titled to verso, white frame. Image: 4.75" H x 6.75" W; frame: 11.50" H x 13.50" W.

Jette Lindberg, Danish artist. Mixed media on board. Abstract composition. From the 2000s. Signed and dated JL 04. In perfect condition. Motif dimensions: 20 cm x 20 cm. Total dimens...

Jette Lindberg, Danish artist. Mixed media on board. Abstract composition. From the 2000s. Signed and dated JL 04. In perfect condition. Motif dimensions: 20 cm x 20 cm. Total dimens...

Eddie Dabrowski was an American contemporary graphic street artist, self-taught, taking the concepts of street art to another level. Dabrowski’s works hang in private collections and...

Exquisite painting by prominent artist Fred Otnes, Jr of a figural woman in gold, orange and warm earth colors. This unique mixed media of oil and collage has diverse layers in the painting although to the touch the painting is smooth. This piece is painted on board and is found in a gilt leaf frame with a linen liner. Signed on the lower right corner as well as what appears to be on verso on the craft backing paper. From the personal collection of the artist. Image only is 29.25" high by 26.25" wide. Colors on the painting may vary due to room lighting and photography. Fred Otnes (1925-2015), was a prominent illustrator, painter and collage artist who embraced abstraction. “Fred Otnes brings to his collage paintings a classical refinement and control that makes poetry out of chance pictorial effects,” the artist and critic Maureen Mullarkey wrote in reviewing a retrospective in Manhattan in 2006 for The New York Sun...