Large "Pointe Seche" Engraving by Antonin Anzil, France, 2018

For this series of ceramic wall sculptures Franck Scala invites us on a journey by re-appropriating the reliefs of certain emblematic natural landscapes. ...

Surrealist nature morte engraving in the style Chirico Epreuve d'Artiste "Espace" engraving surface is 24.5 by 18.5. This art will ship out of Newburgh NY USA

Large minimalist all French oak headboard by Guillerme & Chambron. Ideal for a queen size bed. Suitable for a king size bed. Interesting architectured intricate structure made of ver...

Parisican chic pair of large pristine beige travertine table lamps by Maison Philippe Barbier. France 1970's. Chrome accents. Base measurements : 15cm * 15cm These lamps have been re...

Black and white engravings with accents of gold by contemporary French artist Foucher Poignant Raised geometric patterns created      

Fantastic bas-relief made by the great artist Miguel Ortiz Berrocal on the study of the nude, a magnificent work that shows the study of forms and Berrocal's vision showing nine beau...

Media consists of fiber, paint, shellac on a linen canvas. Beautiful wood frame. Frank Faulkner by Philip Herrera, 2006: Born in Sumter, South Carolina in 1946, Frank Faulkner received his B.F.A. from the University of North Carolina in 1968, Phi Beta Kappa, and his M.F.A. from the same institution in 1972. Faulkner’s work quickly won him numerous grants and awards, including an individual artist grant from the National Endowment for the Arts in 1974. He was selected for the Whitney Biennial in 1975, which prompted him to settle in New York. There, he came to the attention of Dorothy Miller, Curator Emeritus of the Museum of Modern Art with a legendary eye for new talent. Since then, Faulkner has continued to garner acclaim and awards. He has been featured in dozens of one-person exhibitions (not to mention group exhibitions) in this country, as well as in Japan, Switzerland, and Germany. Faulkner’s work is owned by leading museums (the Smith College museum in Northampton, Massachusetts, for example, the National Museum of American Art and the Hirshhorn in Washington, D.C.) and by renowned collectors such as Nelson Rockefeller, Baron Leon Lambert, Phillip Hanes and Abba Eban. What a viewer first notices is the sheer elegance of the pieces, no matter what materials Faulkner uses—metal, wood and fabric as well as canvas and paper. Obvious, too, is the artist’s originality. Faulkner belongs to no school. His work is patterned but is far too intellectual to qualify as so-called “pattern art,” which mainly strives to be merely pretty. Rather, he paints in his own highly organized way, filling the surface without being excessive or boring. Faulkner sets up a system, say, of dots or dashes, then subtly changes the visual rhythms in order to add life and surprise—what he calls “the gymnastics of seeing.” He works and reworks the surfaces of his canvases, often laying down one thin layer of slightly reflective gold, silver or bronze paint upon another until the final work seems to glow with inner light. John Ashbery, a leading critic and poet, has likened Faulkner’s art to minimalist music, which achieves both simplicity and beauty from its obsessive repetitions. The critic Carter Ratcliff describes it more simply as “brilliant artifice.” Faulkner’s current work, a series of paintings on paper, continues and deepens this exploration of the relationship between wrought surface and changing light. Another striking aspect of the work is the influence of the decorative arts. Faulkner has made some paintings on wood that stand independently and fold open like screens. Other pieces resemble large tapestries, and yet others take their inspiration from Art Nouveau inlays...

J. Paramé is considered one of the most talented and promising Portuguese artists of his generation. Born in Lisbon in 1978, he studied at the National Society of Fine Arts in Lisbon...