Robert Indiana Greenpeace Love 32/170

A pair of 19th century French Gien faience urns with hand-painted floral decoration. Nice form with double handles and square pedestal base. Lids with str...

An early 19th century French Louis XV style trumeau mirror with a fine oil painting depicting a pastoral courtship scene. Painted pine fr...

A large scale 19th century Hudson River School landscape painting depicting people fishing on a moonlit lake. Unsigned. Original giltwood and gesso frame is in good condition with minor repair and touch-ups to gilt. Artist unknown, but similar in subject and composition to the Albert Bierdstadt painting "Lake Tahoe, Spearing Fish by Torchlight" and similar in style to the François Regis Gignoux Painting...

19th century French still life oil on canvas, signed lower right, L. Benoist. Vineyard harvest theme with grape vines and baskets of pea...

A 19th Century French Napoleon III miniature wall cabinet with fine quality marquetry inlay of rosewood, walnut and mahogany. Beautifully detailed with brass trim and escutcheons and...

A large Mid 20th Century still life painting by Hungarian artist Gyula Paksy (1912-1997) depicting a brass bowl, a copper pan, a brass mortar and pestle and four glass jars on a whit...

- Tapis LOVE. Robert indiana Tapis love 2005 Édition limitée numérotée sur 999 exemplaires 100% laine Noué main Dimensions : 79.24 x 79.24 cm 6 disponibles Prix : 290 €.

Number 24, edition of 25. Number 2 of this smaller edition of Artist's Proofs can be found in the Smithsonian Museum of American Art. Signed, dated 1971 and numbered (in Roman Num...

Robert Indiana LOVE 1971 serigraph poster. Silk-screen poster designed and created by Robert Indiana and published by Posters Originals.
 Newly framed in silver wooden frame.
 Frame ...

Extremely rare original silkscreen poster to Robert Indiana's legendary stabile Gallery show, where he first introduced the LOVE design on canvas and...

After Robert Indiana, Golden Love, Screenprint, Serigraph. Unsigned color screenprint on heavy wove paper with bright pop art colors: orange, yell...

"Two 1992 chromogenic (c-prints) from Robert Flack’s series “Love Mind,” edition #1/3, feature ""fire circle"" and ""sword circles"". Robert Flack (1957-1993) was born in Guelph, Ontario and moved to Toronto to study at York University. After graduating in 1980 he began working at Art Metropole and as a layout artist on many General Idea-related projects including FILE Megazine. During the 80's he exhibited extensively in Canada at numerous artist-run centres and public galleries, the Cold City Gallery artist collective and the S.L. Simpson Gallery (a complete exhibition history is available on our web site). By 1990 he was exhibiting internationally, in Paris, Barcelona and Amsterdam, and was represented in New York at Feature Inc. and in Toronto at Garnet Press. His work was included in the touring group exhibition Corpus Part II curated by Bruce Grenville in 1993 for the Mendel Art Gallery in Saskatoon. A survey exhibition was curated by Nancy Campbell at the MacDonald Stewart Art Centre, with catalogue, in 1993. In 1997 Philip Monk included Flack's work in Rococco Tattoo: The Ornamental Impulse in Toronto Art at the Power Plant in 1997. In 1999 the National Gallery of Canada celebrated Flack's work to commemorate A Day Without Art, December 1999 - January 2000. ""From the beginning, Flack's work expressed an ""otherworldliness"" - a quality that focused sharply with his HIV sero-conversion in 1988. From that point forward, Flack's vision rocketed almost exclusively into the internalized realms of psychic energy, the chakras and the etheric body."" Andrew Zealley, Art Metropole, Halos: David Buchan and Robert Flack 2005. Amongst the work's many distinctions is Flack's use of pre-digital or analogue production techniques. Flack painted in enamel on clear acetate and overlaid his photographs with these painted layers before re-photographing the work, producing an ""iconic, sensual mapping of the body and dazzling use of colour and pattern"" (NGC web site). During this period he was sharing studio space in Toronto with Stephen Andrews...