Sam Gilliam, "Indigo #15" Unique Relief Etching on Handmade Paper 1975

A burl wood bowl designed and produced in Sweden, 1975.

A brown and white sizeable unique stoneware vase designed and produced by Sven Bohlin, Höganäs, Sweden, c. 1960s.

A blue-glazed and incised stoneware table lamp designed by Sven Wejsfelt and produced by Gustavsberg, Sweden, 1974. Dimensions of Lamp (inches): 9.75” H x 6” Diameter Dimensions of ...

A wood wall mirror designed and produced in Sweden, 1975.

A pair of pine and paper sconces/ wall lights designed and produced in Sweden, c. 1970s. Sold with Lampshades. Stated dimensions refer to the Sconce with the Shade. Dimensions of...

A pine and paper floor lamp, designed and produced in Sweden, 1970s. Overall Dimensions (inches): 59" H x 15" Diameter Bulb Specifications: E-26 Bulb Number of Sockets: 1

Gallery sticker affixed to back, dated 1975, detailed graphite drawing titled "Blue Flow" by Eric Terry. In a quality ebony wood frame with glass.

Painting by Sven Hansson, Sweden. 1997. Wood relief on paper. H: 39 cm/ 15 3/8'' W: 60 cm/ 2' Working in a purely geometric, non-figurative style, Sven Hansson was a Swedish paint...

Abstract expressionist painting with geometric color fields of yellow, blue, white, and green. Signed along the lower right. Provenzano (American, 1923-1999) was a student of Hans Hoffmann...

2006, Australian, Betsy Lewis Napangardi (1940-2008), Framed Mina Mina Dreaming, etching on paper. Number 5 of 60 and pencil signed Betsy Lewis with embossed seal. Information on the back of the work from the Warlukurlangu Artists Aboriginal Association and dated 1/11/2007, describes the story behind the work authenticates it. Dimensions: 17.5"w x 23.5"h x 1.5"d (framed) 7.5"w x 13"h (sight) Condition: Good. Not examined out of frame. Shows well. Ready to hang. Biography: Betsy Lewis Napangardi was a traditional Warlpiri woman from the Yuendumu Community region. Betsy was born in the bush just west of Yuendumu in the 1940’s, this was before hospitals and health clinics were available and accessible in the area. Betsy moved to Mount Doreen Station with her family at a young age. She was raised by Paddy Japanangka Lewis and attended the Yuendumu School. She spent her life living in Yuendumu. Betsy began painting full time in 1999 however she had been painting for Warlukurlangu Artists for some time before then. She was considered at the forefront of the move towards more abstract depictions of Aboriginal art however did maintain a strong connection to her Kurruwarri heritage. Her art is bright and textured with thick layers of paint. Some of her family members are also artists such as Margaret Lewis. Betsy is known best for five Dreamtime depictions - Snake Vine, Women’s Dreaming, Edible Fungus, Dreaming Site and Dogwood. The story of Jintiparnta is of the Napangardi and Napanangka women who collect Jintiparnta or Edible Fungus at Karnakarlangu. The area is also known as Mina Mina. The ancestral women would travel from here heading north and east toward Janyinki and Alcoota country. The Mina Mina is a ceremonial place which belongs to the Japanangka and Japangardi men and the Napanangka and Napangardi women. Water soakages, sand hills...

In 2020, Caroline Rennequin painted 350 flowers. Including a series of 301 gouaches on handmade Indian paper, in a work that narrates the aesthetics of the feminine and its relationship with nature, which she endlessly colors with a living palette. Flowers with rounded and feminine contours, influenced by the 1970s. She uses gouache, an impulsive and immediate technique. A sometimes childish vocabulary in the gesture, without being regressive. Her artistic work revolves around her relationship to nature, whether real or fictitious. This work has been shown for the first time in October 2021 at Galeria Tambien...

In 2020, Caroline Rennequin painted 350 flowers. Including a series of 301 gouaches on handmade Indian paper, in a work that narrates the aesthetics of the feminine and its relationship with nature, which she endlessly colors with a living palette. Flowers with rounded and feminine contours, influenced by the 1970s. She uses gouache, an impulsive and immediate technique. A sometimes childish vocabulary in the gesture, without being regressive. Her artistic work revolves around her relationship to nature, whether real or fictitious. This work has been shown for the first time in October 2021 at Galeria Tambien...