Sioux Shaman's Masks by Doug Fountain

Matched pair of Salish Native American totem poles. Both identical. Carved as a thunderbird with spread rings separately carved and attached perched on the head of a human over a sea...

Northwest Coast polychrome totem with multiple bird figures atop a turtle. Hole drilled for clamp. Well painted and carved with bright colors of red, black, blue, white, and brown on...

Northwest totem with whale, man figure (possibly prominent individual within the tribe or society where the hands are shown in a holding position which...

Chief Shakes Raven pole by Ditidaht/Nuu-chah-nulth artist Raymond Williams. This finely crafted model totem pole is by Ditidaht/Nuu-chah-nulth master carver Raymond Williams, the father of the current generation of Williams carvers. It depicts an iteration of the Tlingit Chief Shakes pole of Wrangell, Alaska – a popular motif for the Williams family. The top figure is Raven’s Grandfather, who perched on the Box of Daylight. The middle figure is Raven, and below is frog. This model illustrates how Raven stole the sun, moon, and stars and released them into the world. This pole was probably made for Ye Olde Curiosity Shop in the 1950s. 27" PERIOD: 1950s ORIGIN: Seattle/Williams Family SIZE: 27"H Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source. Totems...

Large dark reddish brown carved wood mask with underlying traces of red pigment, from New Guinea Sepik River Area. Strong downward looking expression, carved fringe edges. Signs of...

African Mask with Spears 90s. It is a rare set. Carved from one piece. Spears are ultra light - height 152 cm.

A fantastic and somewhat playful mask by the Yup'ik (Yupik) aboriginal, indigenous people of South-Western & South Central Alaska. The Yup'ik people, who are related to the Inuit peoples, have a long history of ceremonial mask making. Yup'ik masks were originally and specifically designed by Shamans and made to be worn by these spiritual leaders in Winter tribal dances and sacred ceremonies. Traditionally, the masks were destroyed or discarded after use in these ceremonies. Very few of these masks survived. After Christian contact in the late 19th century, masked dancing was suppressed and the tradition all but died out. As more outsiders settled in Alaska at the turn of the century, masks were made by the Yup'ik people to sell or trade for necessary goods. It is likely that this mask was created some years later for this purpose. In the 20th century, Yup'ik mask had a profound influence on many renowned surrealist artists including, Max Ernst, Joan Miro, Leonora Carrington, Victor Brauner, and most notably Andre Breton who was an avid collector of Yup'ik masks. This fantastic anthropomorphic mask is carved of lighter wood, hand painted and decorated with pigment, and held together with natural fiber. The mask seems to represent some sort of smiling, benevolent spirit or character with its four eyes, bird beak, and cat-like ears. The mask is from a French collection. We were told that this mask, as well as others in the collection we have listed, was acquired originally in the 1950s-1960s in Alaska and the Yukon territory in Canada but as we have no way to verify or authenticate this. Please note we are listing the masks as decorative and not as actual tribal artifacts...

African tribal carved wood Bambara Bamana tribal carved wood horned mask.