Consecration of Herma, Oil on Porcelain, After Feodor A. Bronnikov

Country scene. Oil on porcelain. A country scene has been painted in oil on a porcelain plate, enhanced with a frame decorated with elements of cla...

Hunting scene. Oil on porcelain. following KPM models. Oil-painted porcelain plate showing a hunting scene with horsemen and dogs, enhanced by an e...

"Abraham repudiating Hagar". Framed miniature. Ater VAN RIJN, Rembrandt (Leinden, 1606-Amsterdam, 1669), 18th century. It shows a story of Genesis. The story tells that Sara accepte...

"Triumph of Bacchus and Ariadne" after Annibale Carracci's model. Polychrome resin. The classical deities Bacchus and Ariadne have been represente...

Antique Italian painting from 19th century. Framework tempera on paper, applied on canvas, depicting a religious subject Adoration of the shepherds of good pictorial quality. Frame i...

A large antique oil on canvas painting entitled "Sacrifice to Minerva", circle of Francesco Solimena, attributed to Odoardo Vicinelli, dating from the mid 18th Century. The painting depicts a man standing, behind an altar, shielding himself from a kindling fire. To the left of the altar is seated Minerva, in classical flowing white robes, surrounded by a crowd of people. Francesco Solimena (4 October 1657 – 3 April 1747) was a prolific Italian painter of the Baroque era, one of an established family of painters and draughtsmen. Verso: Title, describtion, inventory marks and later restoration stamp: Aitken Dott & Son, Edinburgh 15 July 1970. Also bears an inscription attributing the painting to Odoardo Vicinelli: Odoardo Vicinelli, scholar of Giovanni Maria Morandi, flourished about 1750 an excellent master of the Venetian and Roman Schools, Provenance: Formerly at Letterfourie, Morayshire, and by descent, through the Gordon family Letterfourie House is a Georgian house in Moray Scotland, built by Robert Adam and completed in 1773 for Clan Gordon...

A very fine and large 19th century Louis XV style Whimsical Neoclassical Revival style Oil on Canvas "The Triumph of Flora" attributed to Ferdinand Wagner II (German, 1847-1927), school of François Boucher (French, 1703-1770). The impressive artwork depicting a semi-nude Flora hovering through the clouds surrounded by playful cupids, cherubs, love doves and a seated maiden, within white and grey clouds, offering her Spring flower bouquets and floral wreaths, within a banded giltwood frame. Note: Previously used as a ceiling painting. Unsigned, Circa 1870. Measures: Canvas height: 91 3/4 inches (233 cm) Canvas width: 59 inches (150 cm) Frame height: 61 3/8 inches (155.9 cm) Frame width: 93 1/2 inches (237.5 cm) Depth: 2 3/8 inches (6 cm) Ferdinand Wagner II (German, 1847-1927) was the son of Passau Ferdinand Wagner Senior, a teacher at a vocational art school who began training him professionally at a young age. After traveling to Italy in 1867-1868, he continued with his art studies at The Munich Academy of Arts led by Peter Von Cornelius and Julius Schnorr Von Carolsfeld...

This oil on canvas is a meticulous reproduction of Giovanni Francesco Penni’s “Marriage of Cupid and Psyche” fresco (1517-18) from Villa Farnesina, Rome. Framed in an intricately car...