Deep Relief Carved Black Forest Plaque, circa 1890

Using the ancient metalworking technique known as repousse, this copper bas relief plaque of a young nobleman was hand-chiseled by a French artist in...

Hand-carved in France, circa 1880, this wooden bracket console features a wonderfully executed winged angel beneath an angular entablature. The innocent visage of the cherub is augme...

Hand-carved in Spain, circa 1850, this pair of walnut panels features portraits in profile of an armor-clad man and woman. Both panels have been painted light gray with cream accents...

A magnificent display of mastery level woodworking, this antique oval plaque of St Luke was not only carved in bas relief, but it has an incurved shape. The concave plaque has severa...

This cast iron charger from Germany was hand-worked in the 1800s. The low-relief image, in this case, a Bacchanalian scene, is full of hundreds of small decorative and figurative details. The main body of the charger is recessed below the outer rim, which is adorned with a ring of foliage motif encircling fleur de lys and scrolls. A raised ridge separates the two repeating motifs, with eight mascaron and scrolled medallions interrupting the interior circle. In the center of the charger is a Neoclassical medallion surrounded by Vitruvian scrolls filled with beading. Based on the lively scene of revelry that surrounds the medallion, it is quite possible that the figure depicted in the medallion is Ariadne, the wife of Dionysus (or as the Romans called him “Bacchus”), the Greek god of wine and merriment. It is most likely an interpretation of when Dionysus found her abandoned on the island of Naxos. Numerous figures dancing and partaking in food and drink can be seen along the outside of the medallion, including mythological beings such as putti, satyrs, and nymphs, set amongst flora dotted with overturned drinking vessels. A small bracket is affixed to the verso side, allowing the cast iron German charger...

In the style of 17th and 18th century Delftware, this pair of large polychrome faience wall plaques are from Holland, a region of the Netherlands. Hand-painted faience from Holland, such as this pair from the 1800’s, were typically painted in the traditional cobalt blue and white, however our plaques have vibrant colors that enhance two distinct scenes. Both plaques feature a roughly ovate shape molding and sinuous cutouts, typically seen in Dutch faience after the 17th century. These contoured edges have been painted with a nondescript motif consisting of quick brush strokes using blue paint. The plaque on the left in our main photo depicts Jesus washing the feet of his disciples. Most of the followers are clad in blue, green, or gold robes...

Pair of Black Forest style wall plaques C.1880’s. Each plaque displays beautifully detailed wood carvings, first photo consists of a fish carving and the other plaque consists of a b...

An exceptional high relief Renaissance Revival carved black Pietra Serena panel. The right facing profile bust of a lady in front of a garland of flowers and leaves suspended above ...

Oversize and spectacular 19th century Black Forest carved wood trophy wall plaque with a large fish. Beautiful carved border with acanthus leaves. Measur...

Inscribed on back 'The Gwynant in Wales', also impressed 'Copeland'. Signed in front lower left 'W Yale' (William Yale b. 1843). Size of plaque 16 x 24.

This superb deep relief carved hardwood Raj period Indian wall panel has its original hardwood carved frame. It is an interesting and special piece....

Large Carved Solid Teak Long Rectangle Wall Plaque Relief Sculpture Depicting Jangle Villagers.