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Murmuration - wall hanging by British textile artist and designer Anna Gravelle

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Textile Wall Hanging Handwoven Framed Wall Art Blue
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SIN, is a handwoven textile wall piece, named after the ancient Mesopotamian Goddess of the Moon. It is handwoven in Turkey, by the women weavers of Anatolia. The 50% of the income ...
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2010s Turkish Modern Decorative Art

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1970s Large Textile Wall Art
Located in Miami, FL
Large vintage Textile wall Art. Circa 1970s Features a stretched canvas with a forest inspired design printed in vibrant earth tone colors. ...
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Vintage 1970s American Mid-Century Modern Decorative Art

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Rare and Early Neo Gothic British Arts & Crafts Textile Wall Hanging
Located in Milan, IT
An extremely rare embroidered hanging distinguished by a repeat pattern of roundels containing confronting birds alternated to an endless knot moti...
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Antique Mid-19th Century British Arts and Crafts Tapestries

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"Splotchy" Textile by Alexander Calder for Laverne Originals
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Located in Pawtucket, RI
"Splotchy" textile by Alexander Calder for Laverne Originals. Hand printed on linen. 26 ft. available The innovative husband-and-wife team Erwin and Estelle Laverne, specialized...
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Mid-20th Century American Mid-Century Modern Tapestries

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Unique Peacock Pattern Vintage Velvet Wall Hanging 4.3x6.8 Ft Colorful Bedspread
Located in Spring Valley, NY
A vintage velvet wall hanging or bed cover from Uzbekistan, circa 1980. This wall hanging is in good condition, sturdy and clean as a brand...
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Yei Navajo Figural Double-Sided Flat Weave Wall Hanging, 1930 Round Heads
Located in Basingstoke, Hampshire
A Yei Navajo Figural double-sided flat woven wall hanging - circa 1930. Displaying five standing figures on an deep speckled grey ground, framed by a red border. The Yei iconography is related to Navajo religious sandpaintings. Navajo religion has a reverence for nature and is based on maintaining a balance in the universe. It was believed that there was a sense of harmony needed to maintain a healthy life. Should an individual do something to upset this balance, then it was believed that an illness might befall them. Much like in the modern-day, a medicine man was hired to help regain this harmony. The remedy involved a combination of chanting, herbal medicines and a sandpainting ritual. Various coloured sands were sprinkled on the ground until they formed a specific Yei (holy person), based on the god he was trying to summon. When the sandpainting was completed, it was sanctified by spreading corn pollen over it. Once the sacred sandpainting had served its purpose, it was erased. To save it or reproduce its imagery was dangerous and could bring serious grief to anyone who retained the image. During the 1890s, the Navajos phased out blanket weaving in favour of rugs. There was strong demand from the vast migration of settlers, building homes by the thousands, who needed something to cover their floors. The first Navajo rug depicting holy people...
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