19th Century Decorative Art

English Framed Nautical Silhouettes on Glass, HMS Victory and The Hogue and HMS Royal Albert, A Pair, Early Victorian. The large and attractive nautical reverse paintings on glass a...

This is an antique George & the Dragon display plaque. An English, gilt metal and beech framed decorative relief, dating to the Regency period and later, circa 1820. As one of the w...

Delightful set of 18 fashion prints Lovely pastel colors Lithographs with original hand color Published by Ackermann, London Mostly dated 1809. Some 1823 Unframed. The measurem...

Two antique Richard Evans hand colored equestrian officer engravings featuring Lieut General Henry William Paget and Field Marshal Von Blucher. Both dres...

"Early 19th century infant’s white lace trimmed christening gown, frame in a shadowbox with robin’s egg blue background and a small dried nosegay of baby’s breath and blue silk flowers.  Measure: 31". Family history on reverse dates dress to 1819. ""Baby dress...

Delightful fashion print Lovely pastel colors Lithograph with original hand color Unframed. The measurement given is the paper size

A beautiful early 19th century Georgian Regency era oil-on-canvas portrait of a gentleman with long sideburns, and wearing a cravat and blue silk waistcoat...

We are delighted to offer for sale this lovely Portrait of the Infanta Margarita Teresa Juan Bautista Martínez del Mazo (Queen of Spain) A very sweet ...

This is a beautiful porcelain plaque with a lavish flower bouquet, set in a gilt wood frame. It was made in England in about 1825. This plaque has provenance: it once belonged to...

An antique marble relief wall hanging of a young child’s head in right-facing profile within an oak frame circa 1800. Dating from the Georgian er...

Very beautiful mirror, Regency style, a transitional style between the Louis XIV and Louis XV styles. One recognizes this style with its numerous volutes, shells and leaves. A very d...

19th Century (Regency Period, 1820s) English giltwood convex mirror with unusual bold carved eagle surmounted to top and foliate carved decoration on bottom.  

Madame Pauline Knipp Engraving of A Pigeon, From Les pigeons par Madame Knip, ne´e Pauline de Courcelles ; le texte par C.J. Themminck, Paris 1809-1811. A remarkable large engraving of a pigeon- A Columba Coronata (Colombi-Galline Goura). The print floats within a gilt frame and white matte and with UV Tru-view Clear UV Glass. We have 14 different examples from this volume. Ask for details. Dimensions: Framed: 28 3/4 inches 21 3/4 inches wide x 1 1/4 inches; Sight: 20 3/4 inches high x 13 1/4 inches Pauline Knip née Pauline Rifer de Courcelles (26 July 1781 – 18 April...

Madame Pauline Knipp engraving of a pigeon, From Les pigeons par Madame Knip, ne´e Pauline de Courcelles ; le texte par C.J. Themminck, Plate 2, Paris 1809-1811. A remarkable ...

Wimbledon-Furniture Wimbledon-Furniture is delighted to offer for sale this stunning oil painting portrait, signed to the bottom left Robert 5th Earl of Buckinghamshire 1814 and printed to the back “prepared by Roberson & Miller 51 Long Acre London” the painting is the circle of Sir William Beechey Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price A very attractive portrait of Robert seated at his desk in rather stately looking attire. The frame is the original gilt wood and quite an expensive piece on its own The condition is very good, it is over 200 years old so there will be touch ups and restorations that have occurred, there is no damage to note that I can see or feel Dimensions Height:- 112.5cm Width:- 92cm Depth:- 7cm This painting as mentioned is the circle of Sir William Beechey Sir William Beechey RA (12 December 1753 – 28 January 1839) was a leading English portraitist during the golden age of British painting. Early life Beechey was born at Burford, Oxfordshire, on 12 December 1753, the son of William Beechey, a solicitor, and his wife Hannah Read. Both parents died when he was still quite young, and he and his siblings were brought up by his uncle Samuel, a solicitor who lived in nearby Chipping Norton. The uncle was determined that the young Beechey should likewise follow a career in the law, and at an appropriate age he was entered as a clerk with a conveyancer near Stow-on-the-Wold. But as The Monthly Mirror later recorded in July 1798, he was: "Early foredoomed his [uncle's] soul to cross/ And paint a picture where he should engross." Beechey was admitted to the Royal Academy Schools in 1772, where he is thought to have studied under Johan Zoffany. He first exhibited at the Academy in 1776. His earliest surviving portraits are small-scale full-length and conversation pieces which are reminiscent of Zoffany. In 1782, he moved to Norwich, where he gained several commissions, including a portrait of Sir John...

Extremely fine embroidery of a neoclassical maiden dressed as a shepherdess in a forest with a rustic thatched cottage in background. Wonderful use of short and long stitches and sha...

Hand painted early 19th century miniature under glass. Finely painted details on this lovely lady. In a brass oval frame, with floral embroidery surround. Painting measures 2.5 in x...

These two works commemorate the great English pastime of gentlemen hunt parties and social gatherings surrounding the land and its produce to those who own it. This very nice pair of...

This well executed antique folk art needlepoint is signed on the back, possibly Emily Leanora, but is highly illegible so the artist is being regarded as an unknown. This needlepoint was done in England is circa 1810 in the Regency period and style and depicts a Persian man...