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Tapestry

$24,000
£18,250.94
€21,051.58
CA$33,619.61
A$37,626.98
CHF 19,647.16
MX$459,051.41
NOK 249,394.90
SEK 236,660.40
DKK 157,203.22
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About the Item

One of a kind antique copper wall hanging, hung from rustic steel bar.
  • Dimensions:
    Height: 36 in (91.44 cm)Width: 72 in (182.88 cm)Depth: 1 in (2.54 cm)
  • Style:
    Modern (Of the Period)
  • Materials and Techniques:
    Copper,Steel,Patinated
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    2024
  • Production Type:
    New & Custom(One of a Kind)
  • Estimated Production Time:
    Available Now
  • Condition:
    Wear consistent with age and use.
  • Seller Location:
    Sharon, VT
  • Reference Number:
    1stDibs: LU3405343466582

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Landscape II
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Landscape II Medium: Sheet metal, wood, and found objects Dimensions: 28 x 68 in. Artist Statement I work with materials that have already lived a life — steel that’s rusted, bent,...
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Scott Gordon Toro, 2014
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Toro welded steel, found objects 14 x 36 x 12 in. Inspired by Picasso’s iconic Bull's Head, Scott Gordon’s Toro distills the figure of t...
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Contemporary Abstract Mixed Media Sculpture by Scott Gordon (Landscape, 2018)
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Landscape sheet metal, wood, found objects 33 x 61in. In Landscape, Scott Gordon reimagines the visual rhythms of place through the weight and texture of found material. Inspired by...
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Scott Gordon, Succession, 2021
By Scott Gordon
Located in Sharon, VT
Succession welded steel Measures: 6-1/4 x 13-1/2 x 5-1/2 in. This minimalist steel sculpture features a rhythmic progression of three arching forms, each rising from a shared rectangular base. Varying slightly in scale and curvature, the arcs evoke a sense of motion—like a wave cresting and falling, or stages in a structural evolution. The oxidized surfaces lend a rich patina, highlighting the tactile character of the metal and the passage of time. Balancing repetition with variation, the work engages the viewer through its quiet presence and industrial materiality. It is at once architectural and organic, a study in form, balance, and endurance. Artist statement: I work with materials that have already lived a life — steel that’s rusted, bent, scarred. These imperfections hold a kind of quiet beauty, one that speaks not of utility but of presence. Though my work sometimes carries figurative echoes, I’m drawn to the non-figurative: the essential, the raw. Steel, once loud and forceful in its industrial context, becomes still and intimate in this new form. Each composition emerges through direct interaction with found parts. I rarely alter the materials beyond what is necessary. Instead, I allow them to dictate form — interlocking, balancing, and aligning until their relationship feels complete. The process is intuitive, the engineering elemental. Art, for me, is a spiritual act — a practice of selflessness and stillness. It doesn't seek acclaim or commercial appeal. It simply exists, honest and sacred. Biography Scott Gordon...
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Scott Gordon, Portal, 2021
By Scott Gordon
Located in Sharon, VT
Portal welded steel Measures: 8.5 x 12.5 x 17.5 in. This abstract steel sculpture explores the balance between solidity and openness. A vertical arm rises from an irregularly shaped base, terminating in a cantilevered form that projects outward. The composition is simple yet evocative, suggesting movement or transition—an architectural gesture frozen in time. Surface textures, visible welds, and the rawness of the metal emphasize the hand of the maker and the industrial origins of the material. The work invites contemplation of spatial tension, negative space, and the quiet power of restraint. Both grounded and reaching, it speaks to themes of structure, memory, and impermanence. Artist statement: I work with materials that have already lived a life — steel that’s rusted, bent, scarred. These imperfections hold a kind of quiet beauty, one that speaks not of utility but of presence. Though my work sometimes carries figurative echoes, I’m drawn to the non-figurative: the essential, the raw. Steel, once loud and forceful in its industrial context, becomes still and intimate in this new form. Each composition emerges through direct interaction with found parts. I rarely alter the materials beyond what is necessary. Instead, I allow them to dictate form — interlocking, balancing, and aligning until their relationship feels complete. The process is intuitive, the engineering elemental. Art, for me, is a spiritual act — a practice of selflessness and stillness. It doesn't seek acclaim or commercial appeal. It simply exists, honest and sacred. Biography Scott Gordon (b. 1966, Ridgewood, NJ) lives and works in Vermont. He studied business at the University of Denver and earned an MFA in creative writing from the University of Washington. During his time in Seattle, he worked at David Gulassa...
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Scott Gordon, Odyssey, 2021
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Odyssey welded steel Measures: 18.5 x 19 x 18 in. Rooted in industrial materiality and abstract expression, Odyssey invites the viewer into a narrative of motion and emergence. A spiraling steel ribbon unfurls around a central, columnar form—ribbed and machined with mechanical precision—suggesting a journey inward or upward. A sharp, angular plane rises nearby like a sentinel or waypoint, introducing tension and verticality. The contrast of machined and hand-forged surfaces echoes the balance between human intention and mechanical force. With a commanding presence on its rough-edged steel base, Odyssey reflects on structure, evolution, and the persistence of form through time. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred. Biography: Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa...
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