Vintage, After Duhamel du Monceau, (6) Hand-Colored Prints of Fruits and Berries

Early 17th century, French hand colored equestrian engraving. After Antoine de Pluvinel (French, 1552-1620), "Henry IV, Mounted", figure 42 from "L'Instruction du Roy en l'Exercice de Monter a Cheval", c. 1625, matted and framed under UF-3 plexiglass (blocks approx. 97% of UV) , gallery label verso. Figures from this publication have sold at Christie's. Those were not hand colored. A highly detailed engraving with the French King Henry 1V the central figure. Mounted on horseback, Le Roy (the King) is watched by no less than 10 courtiers some of whom are mounted on horseback, all of which are named in the engraving. Antoine de Pluvinel (1552, Crest, Dauphine - 24 August 1620) was the first of the French riding masters, and has had great influence on modern dressage. He wrote L’Instruction du Roy en L'exercice de Monter à Cheval ("instruction of the King in the art of riding"), was tutor to King Louis XIII, and is credited with the invention of using two pillars, as well as using shoulder-in to increase suppleness. In 1594, Pluvinel founded the "Academie d'Equitation" near what is now Place des Pyramides. There, the French nobility was trained not only in horsemanship, but also in all the accomplishments (dancing, fashionable dressing, etc.) It can be said that Pluvinel's influence on the aristocracy lasted from the late 16th century to the 17th century. Richelieu, the future Prime Minister of King Louis XIII attended the Academie; so did William, Duke of Cavendish. Pluvinel's book was published posthumously by the Flemish engraver Crispijn van de Passe II and the royal valet de chambre...

A hand-colored aquatint engraving dated January 1, 1825 and engraved by T. Sutherland, London. Titled "South Sea Whale Fishery", after a painting by Will...

20th c., black and white photographic prints, matted and framed under glass. A pair of polo action shots that capture the intensity of play and the agility of player and polo pony al...

From Selby's Illustrations of British Ornithology (London: 1841-1846). Likely a restrike printing (20th c.,) hand-colored prints, embossed with plate marks, includes two after Pridea...

Selby's Illustrations of British Ornithology (London: 1841-1846). Likely a later restrike printing (20th c.,) hand-colored prints, embossed with plate marks, includes: "Eider Duck, M...

Early 21st century, a pair of framed giclee prints from the "Mustang Series" by Dominique Samyn (born 1952), Belgium and USA. The work with the horse looking to the right is titled "...

Antique botany print titled '1. Grosse lobée 2. Mignone'. Original antique print of gooseberry. This print originates from 'Traité des arbres fruitiers' by Henri Louis Duhamel du Mon...

Antique print titled 'Der ungehörnte Zebu (..) - Der Zebu'. Original antique print of zebu and horned zebu. This print originates from 'Naturhistorische Abbildungen der Saeugethiere'...

Antique print titled 'Das kleine Wiesel (.) - Der Katzenbär (.) - Bärenmarder (.)'. Original antique print of a small weasel, small panda, and wolverine. This print originates from '...

Antique print titled 'Der Chinche- Europäischer Otter'. Original antique print of a skunk and European otter. This print originates from 'Naturhistorische Abbildungen der Saeugethier...

Antique print titled 'Europäischer zahmer Stier - Die Kuh'. Original antique print of a European bull and cow. This print originates from 'Naturhistorische Abbildungen der Saeugethie...

Antique print titled 'Russische en Poolsche paarden'. Old hand colored print of Russian and polish horses. This print originates from 'Volledige natuurlij...