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Abstract Drawing On Textured Paper
$740.16
£545.49
€620
CA$1,013.11
A$1,134.74
CHF 590.44
MX$13,781.35
NOK 7,485.32
SEK 7,062.96
DKK 4,718.60
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About the Item
Abstract work on special paper, created using a mixed media technique that includes watercolor, diluted tempera, and ink. The piece clearly belongs to the abstract and expressionist movement typical of the early 1960s. It bears a signature (illegible) and is dated 1963. The composition stands out for its dynamic interplay of graphic marks and transparent layers of color—shades of brown, , beige and black—forming a complex and visually rich structure. The pictorial language recalls the European aesthetic—particularly French and Italian—of Art Informel (or gestural abstraction) and Tachisme, movements that emerged in the 1950s and 1960s, with affinities to the gestural experimentation of artists like Emilio Scanavino and Georges Mathieu. It is a language that relies on spontaneous gesture and material texture, also echoing elements of American Abstract Expressionism—think Franz Kline or Robert Motherwell—yet with a more lyrical and intimate tone. Particularly noteworthy is the type of paper used by the artist: thick, compact, with a visibly pronounced grain and a slightly rigid feel. This highly tactile support plays a key role in enhancing the expressive impact of the work. The condition is good, with minor signs of age consistent with the artwork’s period. Dimensions: width 38 cm (14,9 in), height 50 cm (19,7 in). The piece is sold unframed, allowing the buyer to select a presentation that best suits their space and interior style
- Dimensions:Height: 19.69 in (50 cm)Width: 14.97 in (38 cm)Depth: 0.04 in (1 mm)
- Style:Expressionist (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1963
- Condition:Wear consistent with age and use. The condition is good, with minor signs of age consistent with the artwork’s period.
- Seller Location:Prato, IT
- Reference Number:Seller: 184001stDibs: LU4632245792862
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Max Marra was born in Paola, Calabria, in 1950. He lives in Monza and works in Lissone. Matured graphic and television experiences, from the 1980s he directed his research towards the integration of expressive technique in painting and sculpture with recycled materials. He works in the H: Orarte laboratory, which he shares with Mario De Leo. He links the teaching and commitment of cultural, organizational, and editorial promotion to artistic activity. With Mario De Leo, Luigi Bianco and other operators founded the Oason Movement in 1985 and then Harta, a bi-monthly cultural interaction, which was later joined by the Hartamotus Association. In 1988 he founded Lissone, with Mario De Meo, the interdisciplinary art studio H: Orarte, open to the consideration, dialogue, and confrontation of other artists, active in organizing cultural initiatives and events. His activity is linked to themes and specific cultural projects, identifiable in the contents and expressive tools. Strong hills, strong features, biting ideas, but also some stops in the white, which is air, which is infinite, to be captured in heavy frames, almost in a purification ritual.
He exhibits in a personal exhibition in a private gallery, public institutions, participates in thematic exhibitions, and national and international collective exhibitions are present in Germany, France, Japan.
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Cieli di terra, a cura di T. Coltellaro, Museo Archeologico, Lamezia Terme e Museo Civico d’Arte Contemporanea, Taverna, 2002; 57° Premio Michetti Laboratorio Italia, a cura di Philippe Daverio, Francavilla a Mare, 2006; Repubblica e costituzione: rassegna d’arte per i sessant’anni della costituzione italiana a cura di M. Domenicucci, F. Papale e C. Mosillo, Archivio Centrale dello Stato, Roma, 2008; Max Marra: Opere 1984 – 2009, Museo d’Arte Contemporanea di Lissone, 2009/10; Time passages, a cura di Omar Calabrese, Magazzini del Sale, Siena, 2011; Luoghi e realtà di ricerca tra identità e mutamento, a cura di T. Coltellaro, Collegio Sant’Adriano, San Demetrio Corone, 2011; Limen Arte vince il primo premio, Vibo Valentia, 2011; 54a Biennale di Venezia, Padiglione Italia per il 150° dell’Unità d’Italia “L’arte non è cosa nostra”, a cura di Vittorio Sgarbi, Sala del Re – Galleria Vittorio Emanuele II, Milano e Palazzo delle Esposizioni – Sala Nervi, Torino, 2011/12; Max Marra. Orizzonte senza approdo, a cura di C. Rizzi, Museo Parisi Valle, Maccagno, 2012; Cieli di cosmos, Sofia Arsenal, Museum for Contemporary Art, 2013; Equilibri materici, a cura di G. Bonomi, Centro per l’Arte Contemporanea, Rocca di Umbertide, 2015; E fu il terremoto, a cura di Vittorio Erlindo, Refettorio del Monastero di San Benedetto Po, Mantova, Monastero di Weingarten (Germania) 2018; IXION, MAC Lissone, a cura di A. Zanchetta; L’opera in bianco, a cura di S. Cortina, Galleria Cortina, Milano, 2018; Dal Rembrandt by himself all’io ritratto, a cura di G. Lepore, Accademia Nazionale delle Belle Arti di Sofia, Bulgaria 2018; Contributi al Novecento, Da Boccioni a Rotella ai contemporanei, Fondazione Stelline, Milano, a cura di B. Corà e T. Sicoli; Di studio in studio, Casa Museo Boschi Di Stefano, Milano, a cura S. Soddu, Comune di Milano e Politecnico di Milano 2019; Omaggio a Franca Rame, MusAlab Archivio Franca Rame e Dario Fò...
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