Aristide Maillol Charcoal Drawing “Nu De Dos”

Gabriel Argy-Rousseau Pâte de Verre Chevalier Paperweight, Circa 1920 Art Nouveau - Art Deco period mottled glass is shades of red, pink, orange and purpl...

Francois Decorchemont Pate-de-Verre Chameleon Paperweight sculpted with orange and clear bubbled glass. Francoise Decorchemont pioneered the pate de Verre industry in the turn of the...

Almeric Walter and Henry Mercier Pate De Verre Art Nouveau Figure of a Nude Cherub or boy seated with his hand on his head. A wonderful pâte-de-ver...

A rare and large pate de verre molded sculpture of the mythological God Pan. Very thick and heavy; this glass piece is primarily bluish green with yellow, reds and orange. The likeness is uncanny with perfectly modeled facial features and traces of his goat horns. This piece was said to exhibit at the Brooklyn Museum in 1971 but there is no documentation. The mask is stamped Decorchemont on his right cheek. For serious collectors of Art Deco - Art Nouveau rare and beautiful glass, circa 1915. Measures: Height: 7.75 inches (19.75 cm) Width: 5 inches (12.8 cm) AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. François-Emile Décorchemont...

GEORGES DE FEURE (1868-1943), Five Piece Salon Suite circa 1900 Walnut and parcel-gilt, comprising a settee, two armchairs and two side chairs. It is rare to find a full set of...

François-Emile Decorchemont Pate-de-Verre Glass Mold Of A Female Ladies Face. A rare, large and very heavy sculpture of either a mask or a modeled face. At 3.5 inches thick in glass with a peach, pink or rose color; this statue was exhibited in the Brooklyn Museum, New York in 1971. With much research; I haven’t seen or heard of a similar form by Decorchemont. The original Brooklyn Museum loan sticker is on verso with the Decorchemont stamp on her left cheek. For serious collectors or rare Art Deco, Art Nouveau glass. Circa 1910 Molded Signature DECORCHEMONT Height: 7 Inches (13.3 cm) Width:. 5.2 Inches (16.5cm). AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. François-Emile Décorchemont French, 1880-1997 François Décorchemont, originally an accomplished painter and potter of recognized ability, turned to the making of glass in 1904. Pâté de verre was the medium in which he excelled and for which he is best known. After studying decorative art in Paris, François Décorchemont returned to his native Conches in 1910 to develop new techniques in stained glass, particularly in the use of crystal to give multicolored and faceted panes. After 1909, while continuing to produce fine glass paste pieces, Francois Decorchemont began to experiment with a new casting technique. François Decorchemont, Emile's son and also an artist, helped out in his father’s studio, in particular helping him to research the possibilities of creating jeweled adornments in pates d'email (enamel pastes) for Gerome's polychrome sculptural creations. Francois Décorchemont, a potter and painter at the outset of his career, became fascinated with the IDEA of developing and utilizing a thin translucent glass material in his work. It was in essence the revival and an adaptation of a long forgotten Egyptian glass-making process using colored crystal powdered glass, metallic oxides and an adhesive paste. This "new" material, known as pâte de verre was developed around the turn of the century, principally at the Sevres porcelain factory, by a number of artists working there, notably Henri Cros and Albert Dammouse. The end of the 19th century was an illuminated period in the history of art. Impressionist painting appeared and created an interest in glass as material. Traditional sculpting materials such as bronze and marble made way for glass with its possibilities of light and color. Henry Cros and François Décorchemont became the leaders of French pâte de verre and facilitated the proliferation of this colorful glass. His first major work, in 1934, was inn the Eglise Sainte-Odile near Porte Champerret in Paris, some 300 square meters of brilliant colors. After the war, he devoted his work to churches in the Eure, including of course Beuzeville where, thanks to the generosity of the local council, the church is lit at night so that his work can be admired from outside. During the first half of the 20th century a number of French artists became famous for their work in pâte de verre, and Francois Decorchemont among them. March 2014, 20th Century’s Greatest Art Dealer Felix Marcilhac’s Collection Privee at Sotheby’s - Chang Yi Entrusts Antoine Leperlier in the Bidding of a Francois Decorchemon's Original. It has been reported that Felix Marcilhac’s Collection Privee auction at Sotheby’s brought in 33,125 Euros (28,000 RMB), three times the estimated price. Marcilhac is considered the greatest Art Deco dealer...

Eugène de Sala, 1899 - 1987. Charcoal drawing on paper, portrait of his wife 1920s. Eugène de Sala's an avant-garde painter from the 1920s are considere...

Early 20th-century charcoal drawing of standing nude male model in the classical tradition of the French Academy. Mounted in a custom wood frame, the image has a pensive quality, and...

Early 20th-century French Academy-style charcoal drawing of seated male model. Mounted in a custom wood frame, the image has an introspective quality, and a charmingly exploratory se...

Early 20th-century French Academy-style charcoal drawing of standing male model. Mounted in a custom wood frame, the image has a pensive quality, and a beautiful treatment of light a...

Early 20th-century French Academy-style charcoal drawing of seated nude female model. Mounted in a custom wood frame, the image has a pensive quality, and a beautiful treatment of li...

Ink on paper, 1966 Certificate by Rita Wong.