Pensive Female Charcoal on Paper Portrait Manner of Kollwitz

Ethel Magafan (1916-1993) pen and ink sketch drawing entitled "Evening Mood". Signed lower right. Circa 1950. This piece comes from the Estate of Anton Otto Fischer after Magafan moved to Woodstock, NY where his home and studio were. Good overall condition. Wear consistent with age and not being framed. There is obvious darkening of the paper surface due to the piece originally having an old matte surrounding the sight opening. No visible rips, tears or restorations. Soft corners and edges. Approximately 8" wide x 6" high. Bio: After World War II, many people in the US were on the move, and on the advice of older artist friends in Los Angeles, Arnold Blanche...

A wonderful little surrealistic abstraction pen and ink drawing signed and dated, A.E. Smith, 3.7.1940. Inscribed on the reverse., Pen + Ink, Artist from Jhonston (sic), RI. Ink on p...

Faceted mirrored panel wall hanging. Reminiscent of Neal Small's slopes creation. This mirror is signed Images, designed by Michael Gold, circa 1980-1990....

Carved wood free form sculpture, circa 1973. Excellent hand carved solid Maple or Birch Organic Modern abstract sculpture. The artist has rendered open spaces and pierced areas to cr...

This is a Vintage Mid century charcoal on paper female nude study. This nude study is presented in a mid century hand carved gold frame with a cream...

Drawing made in pencil on paper measuring 15 x 19 cm by artist Alberto Pasini (Busseto 1826 - Cavoretto 1899) depicting a female face datable to around 1870. The work has the sign...

Charcoal abstract of geometric forms on paper (1959 signed: MICHAEL LOEW).      Though the painter Michael Loew is today best known for his colorful and gestural Abstract Expression...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo creates dynamic compositions of people and places that communicate a rich commentary on the world around him. Depicting trees from personal encounters, Surdo’s latest body of work entitled “Tree Spirits” takes us on a foray into the forest, where leaves, branches and burls express something deeply personal. Applying his mastery of figurative realism to the natural world, he experiments with form and texture to uncover the intangible spirits of trees. This charcoal drawing entitled “Memory of Leaves” beautifully illustrates the branching form of a mature birch tree. Loosely drawn with informal, sketch-like linework, the tree is shown in the middle of winter, bare of leaves and white with frost. Surdo’s skillful placement of shadow illustrates the forking branches with incredible texture and effortless realism. The intricate play of light and dark is accentuated by the stark white background, a negative space that isolates the tree in space and time. Restricting the composition to only a portion of the tree trunk, Surdo accentuates the tree’s abstract form, lingering on areas of unusual shape or texture. Seeking to convey the strong emotional response elicited by his initial encounter with the tree, Surdo focuses on the tree’s sculptural form, contrasting the strong trunk...