"Ship Griffin, Boston — Lying at San Francisco" Pencil Drawing Circa 1850

American School, painting likely done in the mid 20th century and set in a 19th century frame. This is a very well done nautical painting of a Union Clipper ship and naval ship sai...

This remarkable oil painting, titled **"Old New Bedford Whaler – Andrew Hicks"**, is an exquisite maritime artwork that captures the spirit of 19th-century whaling. The painting, exe...

This **19th-century Chinese Export gouache on board painting** presents a striking depiction of a **Chinese junk at harbor**, with delicate brushwork capturing the vessel's ornate co...

This is a mid 19th century etching entitled "Rade de Bordeaux, Janvier" (Port Of Bordeaux In Winter), Maxime Lalanne in London in 1868. The etching depicts many boats in the busy harbor of Bordeaux, including small sailboats, as well as tall ships. Another harbor is seen in the distance across the river on the left. Snow covered buildings are on the left and extending long distances in the distant background. Many people occupy the road and ground centrally and on the left along with some horses or mules attached to carts. The sky is a wintery gray. It is signed in the plate in the lower left, the title and date are in the center and Bordeaux and the year are included in script along the top of a wall in the lower left of the engraving. This etching is held by many museums and institutions, including The National Gallery of Art, Washington, D.C. François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century. Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching Revival, contributing to the establishment of etching as an original and major art medium. He was the editor of The Portfolio (1870-1893), a major arts publication dealing extensively with the art of etching. His most influential book was "Etching and Etchers", which detailed the creative and technical aspects of etching and engraving. The first edition was published in 1868 and included original etchings by Jongkind, Haden and Palmer, as well later states of 17th century Dutch masters. He published a second edition in 1876 without any original etchings. A third edition was published in 1880 in a large paper edition, limited to one thousand copies, which included twenty original etchings from contemporary artists Whistler, Haden, Palmer, Israels, Jacque, Jacquemart, Lalanne, Appian, Legros, Herkomer. including this original Lalanne etching...

Royal Navy Ship Pencil Drawings by George Bryant Campion, Graphite on Cardstock, Circa 1830 Four pencil drawings of Royal Navy Ships on embossed cardstock, three signed by the artist and framed and glazed. The cardstock is impressed with makers name "Dobbs: London". Three of the pictures are signed " to the lower corners G.C." The views are identified as follows: Upper left picture is a starboard view of a Royal Navy frigate or Sixth-rate ship, Upper right picture is a starboard view of a First-Rate ship of the line and inscribed at the top in the artist's hand, " A British Ship on a foreign Station", Lower left picture is a starboard view of a Third or Fourth-Rate Royal Navy Ship under full sail, Lower right picture is a starboard view of a First-Rate Royal Navy Ship at anchor. The cards pressure...

Print depicting a schooner, no. 1 of 400 copies signed Z21, made in the mid-19th century. Non-coeval briarwood frame; measures with frame 50 x 40 cm.  

Pair of antique late 19th century Currier & Ives hand colored lithograph prints: "The Miniature Ship Red, White, and Blue - On her Voyage from New York to London, August 1866, with C...

We are delighted to offer this exquisite circa 1850 French school chalk on paper sketch of the side of a ship A beautiful example of the French school, the piece is very serene an...