1966 Marj Hyde Triptych Pop Painting

Rare cubist charcoal painting by Dorothy Sklar. Framed. Most likely dating to the 1930s or early 1940s. Dimensions: 31" x 22.25" frame 22.25" x 14 ...

A strong little abstract oil collage from 1980 by Richard Allen Morris. Overall frame measures 13" wide, 11" tall, 1" deep. Image size is 7" wide,...

Excellent example of a large oil on canvas abstraction by Fred Hocks from 1957. This painting was included in the 1976 retrospective at the Fine Arts Gallery in San Diego which later became the San Diego Museum of Art. No painter embodies San Diego’s early avant-garde more than Fred (Ferdinand) Hocks, a German-born painter who began visiting San Diego in the late 1920s after studies at the California School of Fine Art in San Francisco and the Art Students League in New York. Fellow painter Dan Dickey credited Hocks in 1947 with “opening up pathways for future, more enlightened generations (of artists),” and predicted that Fred Hocks would be “esteemed a master.” During the post-war years Hocks was assistant director of the San Diego School of Arts and Crafts, a private art school in La Jolla, and was instrumental in keeping affordable artist’s studios in Spanish Village. Along with modern architect Lloyd Ruocco, Fred Hocks co-founded the dynamic Allied Artists Council with Belle Baranceanu, Everett Gee Jackson, Dan Dickey and John Olsen. The well-travelled Hocks exhibited in San Francisco, Oakland, Los Angeles, Long Beach, Pasadena, Paris, Mallorca and Guadalajara, had several one-person shows at the Art Center La Jolla/La Jolla Museum of Art and at the Fine Arts Gallery (SDMA). The San Diego Museum of Art held a major retrospective of his painting in 1976, just a few years before his death. He brought a continental element to the local art scene and is described in Bruce Kamerling’s 100 Years of Art in San Diego as “one of the most adventurous local artists…an intelligent and articulate defender of modern tendencies in art.” Local arts and architecture writer James Britton called Fred Hocks “the dean of the San Diego moderns...

Abstract mixed media painting on panel titled "Pacific #2" by Margaret Ash, circa 1950s. Retains label from Esther Bear Gallery in Santa Barbara, California.

Original Ken Joaquin abstract oil painting. Listed artist. Beautiful frame colors. Painting is of a car and is on board. Overall measurements framed: 25.5"...

Original 1978 Salvador Dali "Babaouo" mixed media collage and gouache print on paper. Signed by artist and beautifully framed. In excellent shape. Overall dimensions framed: 26.75" t...

Original 'Hyde Park' color lithograph by André Derain. Lithograph printed from an original painting made by the author in France, circa 1906. Published by Fernand Mourlot in Les Fauves. Paris, circa 1972. Framed and signed in the stone. In good original condition, with minor wear consistent with age and use, preserving a beautiful patina. About the Artist: André Derain (10 June 1880 – 8 September 1954) was a French artist, painter, sculptor and co-founder of Fauvism with Henri Matisse. Derain and Matisse worked together through the summer of 1905 in the Mediterranean village of Collioure and later that year displayed their highly innovative paintings at the Salon d'Automne. The vivid, unnatural colors led the critic Louis Vauxcelles to derisively dub their works as les Fauves, or "the wild beasts", marking the start of the Fauvist movement. In March 1906, the noted art dealer Ambroise Vollard sent Derain to London to produce a series of paintings with the city as subject. In 30 paintings (29 of which are still extant), Derain presented a portrait of London that was radically different from anything done by previous painters of the city such as Whistler or Monet. With bold colors and compositions, Derain painted multiple pictures of the Thames and Tower Bridge. These London paintings remain among his most popular work. Art critic T. G Rosenthal: "Not since Monet has anyone made London seem so fresh and yet remain quintessentially English. Some of his views of the Thames use the Pointillist technique of multiple dots, although by this time, because the dots have become much larger, it is rather more simply the separation of colours called Divisionism and it is peculiarly effective in conveying the fragmentation of colour in moving water in sunlight." He experimented with stone sculpture and moved to Montmartre to be near his friend Pablo Picasso and other noted artists. Fernande Olivier...

Circa 2008, Acrylic on wood panel by Jill Hackney (b1968), Baton Rouge, LA. Titled Artichokes and part of her Still Life Paintings collection, this triptych or grouping of 3 painting...

One of the original members of the Abstract Expressionist "New York School", Salvatore Grippi (1921-2017) exhibited in two of the famous New York Painting and Sculpture Annuals (1953...

One of the original members of the Abstract Expressionist "New York School", Salvatore Grippi (1921-2017) exhibited in two of the famous New York Painting and Sculpture Annuals (1953...

Pop Art Oil on canvas untitled still-life painting by Salvatore Grippi, 1970 Salvatore Grippi oil painting, Signed New York School One of the original members of the Abstract Express...

Set of 3 Contemporary abstract paintings (triptych) with gouache on rectangular canvas in shades of pink, red and white. (TOM JOHN, 2010)