3 Vintage French Colonial Court Garden Party Scene Oil Paintings on Board 50"

Vintage L Brugman oil painting on board featuring a snowy river landscape theme with a figure walking home. Dimensions:. 29" x 1.25" x 21.25" / Sans Frame - 23" x 15.25" (Width x De...

A lovely 20th century oil painting of a Terrier with black studded collar over a black background. The painting is on an oval board and framed in a gold wooden frame. Dimensions:...

Vintage Lori Zummo Nantucket landscape / seascape oil painting titled Steps Beach Dunes. Provenance: Estate of J. Frederic Gagel, owner of mul...

Vintage Spanish conquistador Don Quixote portrait on board by Ashbrook Studios featuring a vibrant screen print embellished with oil painting. Ashbrook Studios, was in business from...

Antique coastal landscape / seascape oil painting on board featuring a group of birds flying over calm water with mountains lining the horizon. Framed in ornate baroque gold with fl...

Mid 20th century oil on board landscape painting by William Thon, titled "Olive Trees," No. 850. Shows an abstract expressionist forestscape with black trunked trees with green and white leaves over a golden forest floor. Signed lower right corner. Rustic wood frame with red stained recessed bevel and white linen mat. Labels on reverse from Midtown Galleries (New York, New York), Frost Gully Gallery (Portland, Maine). Exhibited at The Ogunquit Museum of American Art (Ogunquit, Maine) - "Creative Lives" July 1 - September 30, 1996. "William Thon (1906-2000) was an American artist noted for highly abstracted landscape paintings. He debuted as a professional artist in 1939 at the Corcoran Gallery Biennial* exhibition. He was born in New York City in 1906, and spent his childhood summers camping on Staten Island. He also developed a great love of travel, and in 1933 made an eight-month voyage to the Cocos Islands in the Pacific. He joined the Navy during World War II, and shortly after the war won the Prix de Rome*, a fellowship in Rome to the American Academy,* which he later served as trustee. Recognition for him continued with his participation in the 1942 "Artists for Victory" exhibit at the Metropolitan Museum of Art*, and in 1944, Midtown Galleries in New York held his first one-person show. This gallery then continued to be his representative throughout his career. He had subsequent solo exhibitions at Smith College Art Museum, Fort Wayne Museum and Farnsworth Museum in Rockland, Maine. He earned an honorary Doctor of Arts from Bates College in Lewiston, Maine in 1957, and was a member of The American Academy* and Institute of Arts and Letters, as well as the National Academy of Design*. In 1947, the year-long study at the American Academy proved highly influential on his career, especially with him beginning to paint as much with watercolor as oil. Returning to America, he submitted a watercolor into the 1949 exhibition of the National Academy of Design, and that year was voted into Academy membership. From thereon, he exhibited frequently at the Academy and won prizes including the Benjamin Altman Prize* in 1951, 1954, 1961, 1967 and 1969. In 1951, Thon received a grant from the American Academy of Arts and Letters. He also taught painting at Ohio University, and painted aspects of the Apollo Space...

Attributed to Leon Kroll oil on wood board painting of a Connecticut scene. The small but well done painting is representative of work done by Kroll. The painting depicting a Connect...

An exceptionally fine quality example of a framed French Mid Victorian Oil Painting on Artists board of compact size and of Museum quality. Complete with its original good quality he...

Attributed to the renowned French Romantic painter, Eugène Isabey, this seaside painting (dated 1864) effectively uses dark and evocative tones of brown, gray, and beige to depict a ...

A beautiful, matted and framed landscape painting on board depicting a rural road leading to a small city with mountains in the background.

Oil Painting on board signed A.Thom 26 frame measurements given.

French impressionist style painting. Oil on canvas. Signed illegibly. In the original frame.