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Alfred de Breanski Sr. Oil Painting Nantile Lake North Wales

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  • Emanuel Oberhauser, Full Length Portrait of an "Orientalist Queen" Oil on Canvas
    Located in New York, NY
    Emanuel Oberhauser (Austrian, 1854-1919) an exceptional quality full length oil on canvas painting of a Young Orientalist Queen or Odalisque, 19th c...
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    Antique 19th Century Austrian Paintings

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  • Reply of the Zaporozhian Cossacks to Sultan Mehmed IV Painting after Ilya Repin
    By Ilya Repin
    Located in New York, NY
    Reply of the Zaporozhian Cossacks to Sultan Mehmed IV of the Ottoman Empire, also known as Cossacks of Saporog Are Drafting a Manifesto. Late 19th Century. Monumental oil on canvas, set within an original carved giltwood frame. Unsigned. Measures: Canvas: 62 X 105in (157 X 266cm). Frame: 80 X 123in (204 X 312cm). This painting is after Russian artist Ilya Repin...
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    Antique Late 19th Century Russian Paintings

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  • Cristalleries De Baccarat, a Large French Cut-Crystal Tsarine Torchere
    By Cristalleries De Baccarat
    Located in New York, NY
    Cristalleries De Baccarat, A Large French Cut-Crystal Twenty-Four Light Tsarine Torcheres, Standing Floor Chandelier. "A Magnificent Chandelier" Each central stem issuing twenty-four out-scrolled candle branches suspending prisms and bell-flowers, on four splayed supports, in the Indian Maharaja style, stamped BACCARAT throughout. 86" high x 33" wide Wired for electricity. In overall excellent condition. The torchère is fully complete and there are no damages associated.Ready to place. Comparative Literature: Lerch, Moscou, Splendeurs des Romanov, Exhibition catalogue, 11 July – 13 September 2009, Monaco, pp. 214-217. M. Lerch, Baccarat: la légende du cristal, Exhibition catalogue, 15 October 2014 – 4 January 2015, Paris, pp.68-69. D. Sautot, The Story of Baccarat, Paris, 1993. Cristalleries de Baccarat: The origins of the manufacture, also known as the Compagnie des Cristalleries de Baccarat, can be traced to 1764. On this year, King Louis XV accorded to the Bishop of Metz permission to establish a glass factory on his land, in the small village of Baccarat in Lorraine, in order to compete with the celebrated Bohemian production. Lorraine is traditionally a glass-making region, due to the abundance of silica in the soil and due to its large forests, which supplied the wood to fuel the ovens. Francois-Eugène de Fontenay, who joined the company in 1841, discovered that the addition of nickel oxide in the manufacturing process resulted in a perfectly clear product, 'crystal glass', that was free of discoloration and that imitated precious rock crystal. For this discovery, the Baccarat company was awarded a gold medal at the French Expositions des Produits de l'Industrie in 1844. Continually experimenting with their manufacturing process, the quality of Baccarat's 'crystal glass' improved, reaching the highest level by the end of the century. The Baccarat manufacture rapidly became a leading producer with highly skilled maître-verriers. In 1823, Baccarat participated for the first time at the National Exhibition. Louis XVIII was seduced by the quality of the pieces presented, which received the praise of the jury and the first gold medal. As a result of their success and innovations, the manufacture gradually consolidated its reputation, which allowed it to dominate the French market. The Russian fascination for Baccarat: In 1867, Tsar Alexander II visited the Exposition Universelle in Paris and fell in awe in the sight of Baccarat’s stand...
    Category

    20th Century French Floor Lamps

    Materials

    Crystal

  • Jean-Baptiste Carpeaux Marble Bust of "Genie De La Danse"
    By Jean-Baptiste Carpeaux
    Located in New York, NY
    Jean-Baptiste Carpeaux (French, 1827–1875) white marble bust of "Genie De La Danse" (Spirit of the Dance), 19th century. Carpeaux was a French sculptor and painter during the Second Empire under Napoleon III. This bust from La Danse was the first detail of the group to be individually edited. Carpeaux frequently offered terracotta editions of the bust in his public sales from 1871 to 1874. Extremely fine quality, very well carved, Signed 'Carpeaux 'on the right lower side. Measures: 25" high x 16" wide x 11" deep. Good condition. No damages noted. Ready to place. Bibliography: Michel Poletti and Alain Richarme, 'Jean-Baptiste Carpeaux sculpteur, catalog raisonné of the edited...
    Category

    Antique Late 19th Century French Napoleon III Figurative Sculptures

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    Marble

  • A Lavish French Empire Ormolu Surtout De Table, C. 1815, Attributed to Thomire
    By Pierre-Philippe Thomire
    Located in New York, NY
    A Lavish French Empire Ormolu Surtout De Table, C. 1815, Attributed to Pierre-Philippe Thomire. A magnificent quality and very large four-section ormo...
    Category

    Antique Early 19th Century French Empire Centerpieces

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    Ormolu

  • Cristalleries De Baccarat, a Large Pair of French Cut-Crystal Tsarine Torcheres
    By Cristalleries De Baccarat
    Located in New York, NY
    Cristalleries De Baccarat, A Large Pair of French Cut-Crystal Twenty-Four Light Tsarine Torcheres, Standing Floor Chandeliers. "A Magnificent Pair of Chandeliers" Each central stem issuing twenty-four out-scrolled candle branches suspending prisms and bell-flowers, on four splayed supports, in the Indian Maharaja style, stamped BACCARAT throughout. 86" high x 33" wide Wired for electricity. In overall excellent condition. There are a few minor chips to a few of the candle cups and prisms, but the torchères are fully complete and there are no other damages associated. The socket covers, which simulate candlesticks, are made of opaque glass. Ready to place. Will be packed into several boxes for transport. Installation will be included with delivery. Provenance: Important European Private Collection Private Pacific Northwest collection, USA Private Midwest Collection, USA Comparative Literature: Lerch, Moscou, Splendeurs des Romanov, Exhibition catalogue, 11 July – 13 September 2009, Monaco, pp. 214-217. M. Lerch, Baccarat: la légende du cristal, Exhibition catalogue, 15 October 2014 – 4 January 2015, Paris, pp.68-69. D. Sautot, The Story of Baccarat, Paris, 1993. Cristalleries de Baccarat: The origins of the manufacture, also known as the Compagnie des Cristalleries de Baccarat, can be traced to 1764. On this year, King Louis XV accorded to the Bishop of Metz permission to establish a glass factory on his land, in the small village of Baccarat in Lorraine, in order to compete with the celebrated Bohemian production. Lorraine is traditionally a glass-making region, due to the abundance of silica in the soil and due to its large forests, which supplied the wood to fuel the ovens. Francois-Eugène de Fontenay, who joined the company in 1841, discovered that the addition of nickel oxide in the manufacturing process resulted in a perfectly clear product, 'crystal glass', that was free of discoloration and that imitated precious rock crystal. For this discovery, the Baccarat company was awarded a gold medal at the French Expositions des Produits de l'Industrie in 1844. Continually experimenting with their manufacturing process, the quality of Baccarat's 'crystal glass' improved, reaching the highest level by the end of the century. The Baccarat manufacture rapidly became a leading producer with highly skilled maître-verriers. In 1823, Baccarat participated for the first time at the National Exhibition. Louis XVIII was seduced by the quality of the pieces presented, which received the praise of the jury and the first gold medal. As a result of their success and innovations, the manufacture gradually consolidated its reputation, which allowed it to dominate the French market. The Russian fascination for Baccarat: In 1867, Tsar Alexander II visited the Exposition Universelle in Paris and fell in awe in the sight of Baccarat’s stand...
    Category

    20th Century French Floor Lamps

    Materials

    Crystal

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