"Alpenglow" Mountain Scene Painting by Alois Arnegger

WPA street scene painting American school. Unsigned, could be NYC.

A monumental 59" x 82" with frame oil on canvas painting of a rocky mountain vista by John Terelak. Signed and dated lower left and inscribed verso. It ...

Oil on academy board, one signed W. Sheridan. W. Sheridan was an English artist active in the 19th century. Each painting measures 22" x 29.5" including the frame. The pair togethe...

Hans Smatlak Barma is noted for his Alpine paintings and especially for sunset pieces that capture the dramatic and colorful effects of the setting sun.

A pair of oil on panel paintings featuring the "Farm in Autumn" and "A Fisherman in the Mountains". Autumn initialed 'D' lower right and The Fisherman ...

Oil on board old master painting of a village on the river at sunset. I cannot find a signature. The painting dates to the 18th century and is most likely Dutch or Flemish. It pre...

Late 19th-early 20th century winter landscape / snow scene, by Alois Arnegger oil on canvas.Signed A. Arnegger with antique gilt old Frame Measures: Height 31" x width 43" Alois Arnegger was an Austrian scene painter, best known for his romantic landscapes of rural life and architecture along the Mediterranean coast. Born on March 9, 1879 in Vienna, Austria, Arnegger studied under academic and historical painters such as Robert Russ at the Academy of Fine Arts Vienna. The constant change in seasonal and climatic variations of the rural regions intrigued Arnegger, who painted the same subjects over and over in different weather and conditions. Later in his life, Arnegger returned to his homeland of Austria where he continued to paint landscapes and Alpine scenes. Arnegger was best know for his beautiful sunset Alpine snow...

Large oil painting on canvas of a Canadian snow covered mountain scene by Alice Blair Thomas, 1913. Signed lower left. Very good condition. Image me...

Alois Heinrich Priechenfried, Austria (1867-1953). Oil on canvas depicting a young woman sewing in Biedermeier interior, signed upper left.

Alpine Views (Northern Italy) – Henry Marko (1855 -1921) Work dimensions: 33 x 44 cm each Measurements with frame: 41 x 50 cm Technique: oil on canvas Period: circa 1890 Henry Mark...

Beautifully painted river landscape scene with mountains and a waterfall, in original carved and gilt pie crust frame. Oil on artist board, unsigned. ...

GUIDO HAMPE German, 1839-1902 Alpine Landscape with Waterfall (1881) Oil on canvas signed lower right "G. Hampe '81" Item # 106QJY03C An incredibly powerful Romantic landscape of the Alpine mountains with a waterfall cascading into a valley, the river pouring over the rocks and curving around the bend, flowing past a pair of figures seated on a grassy noll with a transcendant unearthly lighting that creates a focal point of the couple. It is as if the clouds have opened up just to shine light on them, emphasizing the glorious day the man and woman are experiencing on this leisurely hike through nature. Painted by Guido Hampe in 1881, the painting was acquired by Charles S. Shultz, president of the Hoboken Bank in Montclair, New Jersey where it remained in his home until its deaccession from the home in 2021. The home was particularly interesting for its total originality, the interior looking almost identical throughout its entire life to how it appeared at its inception in 1896. Enclosed in the collection of images is a shot of the painting in situ over the living room fireplace as captured by the Montclair Magazine article on the home in 2020. The work is signed in his typical script lower right "G. Hampe / 81". It remains housed in the original and substantial giltwood frame, fully restored and a very powerful presentation. An article on the Charles S. Schultz home can be found by clicking here. Artist Listings & Bibliography: *. E. Benezit Dictionary of Artists, Vol. VI, Gründ, 2006, p. 1105 Measurements: 32 1/4" H x 42 1/2" W [canvas]; 48 1/2" H x 58 5/8" W x 5 1/4" D [frame] Condition Report: A fine presentation ready to place: frame with minor wear/abrasion/loss; canvas with trace grime in the mountain tops and sky and all-over moderate craquelure. Surface bright and vibrant. Retains the original frame that we have had professionally restored with trace regilding and inpainting, some elements recreated; the restoration has preserved the antique nature of the frame and all restoration has been toned to match the aged aesthetic of the frame. Painting was acquired with its apparently first surface, an incredibly thick grime layer that significantly obscured the image - this was likely due to its placement above the fireplace in the Charles Shultz...