"Autumn in the Maine Countryside" by Herman Roessler

Atmospheric mid-century painting of Mid-coast Maine. Oil on artist panel, signed in the lower right and. dated and inscribed on the reverse. Parker Gamage (1882-1960) A New Harbor, Maine resident for most of his life, Gamage was a student of Charles Woodbury. His known paintings are Impressionist in nature and include the scenery of New Harbor, Monhegan, and Pemaquid Point on the Maine Coast...

Oil on canvas, signed lower right. Measures 39.5" x 45" including the frame. 1878-1957 Robert Emmett Owen was a successful artist best known for his Impressionist views of rural la...

Oil on panel, signed with initials and dated 55' lower right. Additional identifying label on reverse. Nikolai Timkov is one of the best known Russian impressionists in the world. H...

Oil on canvas board, signed lower left and inscribed on the reverse, as well as on the frame. This is most likely the original frame for this work made by the artist. Born in Philadelphia, Antonio P. Martino was the son of italian...

Oil on canvas, signed and dated depicting a glorious sunset in winter. Edvard Axel Rosenberg (Swedish School, 1858-1934). In many ways Edvard Rosenberg...

Measures 29”W x 23”W framed Signed and dated 1919

Landscape of Fields in the Countryside, 20th century. Oil on canvas. Evelyne Luez, Paris school. Measures: H: 54 cm, W: 65 cm, D: 2 cm.

Decorative oil on canvas painting "In The Countryside" by Carl Schild from 1899. This signed and dated painting from the well-known Austrian painter Carl Schild (1831-1906) shows a s...

Painting "Sunset in the Countryside", Denmark, early 20th century. Wymiary z rama : 95 x 75 cm Wymiary bez ramy : 83 x 63 cm.

"Miroir" by Maine Gautier 1964 Oil on canvas Signed lower right, titled on reverse side of canvas Giltwood frame Frame dimensions: 26.75 in. width 33 in. height 1 in. dept...

Guido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...

Portrait of the Duc du Maine France, XVIIth Century Aquarelle on parchment paper (vellum)