Bernard Zawisa Abstract, 1957

Excellent example of a large oil on canvas abstraction by Fred Hocks from 1957. This painting was included in the 1976 retrospective at the Fine Arts Gallery in San Diego which later became the San Diego Museum of Art. No painter embodies San Diego’s early avant-garde more than Fred (Ferdinand) Hocks, a German-born painter who began visiting San Diego in the late 1920s after studies at the California School of Fine Art in San Francisco and the Art Students League in New York. Fellow painter Dan Dickey credited Hocks in 1947 with “opening up pathways for future, more enlightened generations (of artists),” and predicted that Fred Hocks would be “esteemed a master.” During the post-war years Hocks was assistant director of the San Diego School of Arts and Crafts, a private art school in La Jolla, and was instrumental in keeping affordable artist’s studios in Spanish Village. Along with modern architect Lloyd Ruocco, Fred Hocks co-founded the dynamic Allied Artists Council with Belle Baranceanu, Everett Gee Jackson, Dan Dickey and John Olsen. The well-travelled Hocks exhibited in San Francisco, Oakland, Los Angeles, Long Beach, Pasadena, Paris, Mallorca and Guadalajara, had several one-person shows at the Art Center La Jolla/La Jolla Museum of Art and at the Fine Arts Gallery (SDMA). The San Diego Museum of Art held a major retrospective of his painting in 1976, just a few years before his death. He brought a continental element to the local art scene and is described in Bruce Kamerling’s 100 Years of Art in San Diego as “one of the most adventurous local artists…an intelligent and articulate defender of modern tendencies in art.” Local arts and architecture writer James Britton called Fred Hocks “the dean of the San Diego moderns...

Original expressionist painting by Bernardo Damiano (also known as Bernard Damiano). He was an Italian expressionist painter and sculptor born on January 10, 1926 in Coni (Piemonte), Italy and died in Nice, France on June 24, 2000. His classical art formation was at the Academia Albertina in Turino, Italy. His works are numerous and well-known. It is precisely during the 1970s that Bernard Damiano's painting is said to have moved away from a relationship with Jean Dubuffet, the Art brut or the Cobra movement, in "a nervous touch and a triturated paste" to draw his style from the rest of Expressionism. This proposal is however stated with reserve: like the Spanish Eduardo Pisano...

Original expressionist painting by Bernardo Damiano (also known as Bernard Damiano). He was an Italian expressionist painter and sculptor born on January 10, 1926 in Coni (Piemonte), Italy and died in Nice, France on June 24, 2000. His classical art formation was at the Academia Albertina in Turino, Italy. His works are numerous and well known. It is precisely during the 1970s that Bernard Damiano's painting is said to have moved away from a relationship with Jean Dubuffet, the Art brut or the Cobra movement, in "a nervous touch and a triturated paste" to draw his style from the rest of Expressionism. This proposal is however stated with reserve: like the Spanish Eduardo Pisano...

Beautiful expressionist painting of a nude woman, original signed on bottom right by the artist Bernardo Damiano (also known as Bernard Damiano).   He was an Italian Expressionist painter and sculptor born on January 10, 1926 in Coni (Piemont) and died in Nice, France on June 24, 2000. His classical art formation was at the Academia Albertina in Turino, Italy.  His works are numerous and well-known. It is precisely during the 1970s that Bernard Damiano's painting is said to have moved away from a relationship with Jean Dubuffet, the Art brut or the Cobra movement, in "a nervous touch and a triturated paste" to draw his style from the rest of Expressionism. This proposal is however stated with reserve: like the Spanish Eduardo Pisano...

Cubist Painting by Hungarian Painter, Koroly Glonczy. Oil on cardboard. References: Modern and contemporary art. European 20th century, Mid-Century Modern.

A fine, framed oil on board/isorel painting by Charles Levier, signed. This wonderful mid-century modern painting is a fine example of Levier's work and is in very good original co...