Cherubs with Scrolls -Oil on Canvas after Angelica Kaufman

This unique painting has an appeal to hunters and dog lovers, As it represents a special scene with a hunting dog tracking Ducks. The sky is well painted and the overall view of a Marshy hunting scene is perfect for someone that loves The great outdoors.

Rich old world colors are predominantly used in this well painted Art work. Pheasants working with livestock are featured in the Center of this piece. A castle is in the background o...

This original oil on canvas is attributed to Joseph Morgan In Austria. 1839-1898. It is totaled “outdoor repast” No repairs to the canvas and it has the original wood gilt Heavily c...

Oil painting on canvas of fruit with bird nest, butterflies, insects, vegetables and Foliate entangled background. presented in a gilt and parcel black painted wooden frame. After ...

The combination of colors make this piece highly desirable And the size is good for overmantels and sideboards. The artist technique is especially desirable as it evokes A beautiful...

Large and impressive painting of still life of flowers with a white cockatoo In an Italianate landscape with ancient columns and ruins in the backgroun...

19th C. Original Oil on Canvas depicting a group of cherubs making flower garlands. It is charming and whimsical. The detail is intricate. It has been relined and a has had a gilt...

19th century oil on canvas. Cherub with floral wreath Craquelure is noticeable The condition is consistent with age. Please view all photos. 14 x 17 unframed, 18.25 x 21.25 framed

Roman School, 17th century Angelica and Medoro engrave their names on the bark of a tree Oil on canvas, 65 x 48.5 cm The canvas depicts one of the most famous episodes of O...

Hans Zatzka (Austrian, 1859-1945) a superb quality oil on canvas titled "Spring Love" depicting a standing young maiden holding a wicker basket filled with fresh flower as she is bei...

Venetian school, 18th century Study with the head of a cherub Measures: Oil on canvas, 45.5 x 41 cm - with frame 54.5 x 49.5 cm The present qualifies as a study or preparatory sketch by virtue of the structural and figural layout; by reason of formal and substantial evidence, it can be traced back to the mature neo-Venetian style, which in the eighteenth century had begun to produce figurations of extreme typological pathetism and formal expressionism. The contemporary painting experience of Tiepolo commanded the Venetian art scene, once the lesson of Pier Francesco Mola (1612-1666) was overruled. The delicate putto head offered here, in which a cherub is recognizable due to the happy iconographic solution of the wings placed under the angel's face, is outlined with a vigorous vitalism. A foreshortened point of view illuminates his face in a grazing way, probing his features with strong shadows and with a youthful blush that orange his cheeks. The veristic perfection with which the artist arranges the semblant is of marvelous expressiveness. The eyes are swollen with intensity, and together with the general setting of the head they denounce a conscious reflection on the physiognomy, peculiar within the emerging context of Venetian painting. The painting in question is affected by the large-scale productions, both monumental and perspective, at the time in vogue in the territory of the Serenissima. Conceived through a vision from below, the portrait reveals from the Venetian Rococo that particular predilection for the open and clear, airy ways, denounced in the first instance by Tiepolo. The conscious detachment from the Cortona-style decorativism and from the repeated layout solutions then in vogue allow us to approach the present to the production of Francesco Fontebasso...

Daniel Sherrin (1868-1940) Afternoon after a storm signed oil on canvas Measures: 26 x 36 inches Provenance: John Britnell Art Galleries Limited London and Toronto.