Edward Lentsch Let the Wise, 2015

Extraordinary watercolor on paper of two Porsche automobiles, a 944 and a 356 by famed automotive and aviation artist David Lord. Signed and dated, 1985. Image dimensions: 16.75” x 20.75”. Chromed frame dimensions: 24.25” x 27.25”. About David Lord by Randy Leffingwell: Inspiration for David Lord to draw and paint came from hours spent as a child at a drawing board set next to his talented grandmother’s easel. “She painted flowers and landscapes . . . I drew cars, boats, airplanes and army tanks.” In addition, a beloved, dedicated, high school teacher, who “instilled the love of art history, taught me art skills and techniques, and the ability to ‘know what to keep . . . and what to leave out’ of my art.” A New Englander by birth, David attended high school in Connecticut. Art was his favorite class and he kept his eighth grade dream of going to art school alive with hundreds of hours spent drawing cars and planes. After high school, he began two years of art studies at the University of Hartford in Connecticut and then began training at Art center College of Design in Los Angeles, California. After two semesters there, general Motors granted him a full scholarship. He graduated in 1965 as a Bachelor of professional Arts in Industrial Design. Upon graduation, Lord was hired by UniRoyal in South bend, Indiana, to design consumer products and eventually products for military application in Vietnam. “I also had the honor and privilege of working with Gordon Buehrig on the preliminary design, drawings, and clay for the 8/10 scale Cord, built of vacuum-formable, color impregnated plastic. After three years with a South Bend industrial design firm, Lord started his own company. During this period he spent many late evenings at the easel in his own studio, painting and drawing automobiles. The direction of his artwork, philosophy and goals began to form. “I decided to focus my love of all things automotive with my talent for painting and drawing. I had been to many events over the years; councours, car and air shows, had an extensive automotive reference collection and four major influences and mentors. These were men whose talent I was in awe over the years; Peter Helck, Walter Gotschke...

This rare and beautiful 2-panel mono-print is signed, numbered and hand-titled by the artist. Anne Raymond's work is in the permanent collections of major museums including the Mu...

Fantastic early Machine Age Art Deco streamline pram stroller. Ca. 1940s. The body is magenta with chrome sides and chrome bumpers. The hood and interior...

A molded-plastic update on the classic tub chair, the Olo Chair by Andrew Jones for Keilhauer is highly versatile. Ready for use as a side chair, or a confer...

A set of 4 Knoll "X3" chairs by Marco Maran for home or office, and everyday use or comfortable seating for occasional guests. Each chair is comprised of a clear polycarbonate she...

"Delphinium" by Eyvind Earle. Limited edition serigraph on paper, 1975. Signed and numbered (61/250). Single estate, purchased from Circle Gallery, Ltd., Chicago. Brushed and polish...

Pair of abstract works by artist Tracy Wise titled "Neutral Folds 1 & 2". Purchased from a North Carolina estate, striking mixed media assemblages incorporating paper and textiles wi...

Edward McHugh The Bad Touch, 2020-21 Acrylic, ink, thread, polyester resin on double-refined fiberboard 3 x 56.5 x 45.5 in

Edward McHugh Come On Join The Party, 2020-21 Acrylic, ink, thread, polyester resin on dibond 48 x 60 in

Edward Harry Handley Read (British, b. 1870 - d. 1932 "Au the Way" - Featuring a man guiding a gondola in Venice. - Oil on canvas, signed on rear of painting. - Framed dimens...

George Edward Horton: The Launch of H.M.S. ‘Victoria’ from the Elswick shipyard of Sir W. G. Armstrong Whitworth and Co. Ltd, Newcastle-upon-Tyne in 1887, watercolour and pencil heig...

Joan Miro Kalender 2015, Beautiful artistic calender after the painting of Joan Miro. This is a beautiful collectible booklet.